Netflix just announced their adapatation of Tess Sharpe’s novel The Girls I’ve Been into, in which Millie Bobby Brown witll star in and produce alongside Jason Bateman. The news came after Ozark and Stranger Things won Emmy noms for Best Drama series.

The novel centers around a con artist, Nora, who uses her powers of persuasion to get herself, her girlfriend, and ex-boyfriend free during a hostage situation at a bank. The deal was brough in by Bateman's ggregate Films’ Tracey Nyberg and is set to be published by Penguin Random House early 2021.

Brown has been busy with Netflix, also landing the rights to her next feature film titled Enola Holmes. This film portrays Sherlock Holmes' rebellious teen sister, Enola, a gifted super-sleuth in her own right. That film is set to premiere on the platform September 2020. Stranger Things is also set to return to production.

Bateman is also set to star in the renewal of Ozark's 4th and final season. Ozark won Bateman an Emmy nomination from Best Drama Series, and also landed one for Best Actor, his third in a row for the show. He also earned an Emmy Nomination for best guest star in a drama series for his work on HBO’s The Outsider.


Millie Bobby Brown Cast in Netflix’s Adaptation of ‘The Girls I’ve Been’

CastingDepot.com was made with every type of talent. If you're a working actor and want to create a profile as an actor, here are the easy steps to maximize your account! 

**Select “Start Today” on the homepage of CastingDepot.com.**
![](https://www.datocms-assets.com/23925/1594848439-screen-shot-2020-07-15-at-2-26-57-pm.png)

**Select whether you would like to sign up. **
![](https://www.datocms-assets.com/23925/1594830269-screen-shot-2020-07-15-at-9-24-14-am.png)
	
**Select “I Am Talent Seeking Work” and proceed to create a personal profile which includes your name, a description and a headshot.**
![](https://www.datocms-assets.com/23925/1594913135-screen-shot-2020-07-16-at-8-25-23-am.png)

![](https://www.datocms-assets.com/23925/1594849594-screen-shot-2020-07-15-at-2-46-19-pm.png)

**Tell us more about yourself. Head over to your profile and click on the top right icon of each section to edit. Specify what you look like, what special skills you have, any past experience, your location, and professional titles. The more specific the better!**

![](https://www.datocms-assets.com/23925/1594913237-screen-shot-2020-07-16-at-8-26-59-am.png)
**
Pro Tip: By filling out your profile completely, you're 4x more likely to be discovered in searches.**

That’s it! You’re all set! Easy right? 

 How To Sign Up As An Actor on CastingDepot.com

Ready to post a production or connect with talent? Here are the easy steps to creating a company page on our site. Do note that in order to create a company page, a person account needs to be associated with it.

**Select “Start Today” on the homepage of CastingDepot.com
**
![](https://www.datocms-assets.com/23925/1594848439-screen-shot-2020-07-15-at-2-26-57-pm.png)

**Select how you would like to sign up.**
![](https://www.datocms-assets.com/23925/1594830269-screen-shot-2020-07-15-at-9-24-14-am.png)


**Select “I Cast Talent” or "I Rep Talent" and proceed to create a personal profile which includes your name, a description and a headshot.** 
![](https://www.datocms-assets.com/23925/1594848608-screen-shot-2020-07-15-at-2-29-56-pm.png)

![](https://www.datocms-assets.com/23925/1594849594-screen-shot-2020-07-15-at-2-46-19-pm.png)

**Proceed to tell us more about your company. This will include the name of your company, a description, a unique Casting Depot URL for your company, and a company email. **

![](https://www.datocms-assets.com/23925/1594849746-screen-shot-2020-07-15-at-2-48-49-pm.png)
	
**If you need to make changes, head to your settings.**
![](https://www.datocms-assets.com/23925/1594850077-screen-shot-2020-07-15-at-2-53-01-pm.png)

**If you need to manage user permissions, click "manage team"**
![](https://www.datocms-assets.com/23925/1594850385-screen-shot-2020-07-15-at-2-58-48-pm.png)

**Add team members as your company grows!**
![](https://www.datocms-assets.com/23925/1594850561-screen-shot-2020-07-15-at-3-02-02-pm.png)


That’s it - you’re all set! Easy right?

Want to learn how to post a production? We’ve got you covered - [Here's how to post a production on CastingDepot.com](https://www.castingdepot.com/blog/how-to-post-a-production-on-castingdepot-com).


Creating A Company Page on CastingDepot.com

Groups are a great way to connect with similar interests and receive feedback. Maybe you want to connect with others in your area or with similar backgrounds/interests? Looking for chefs in Atlanta, female comedians in New York, or fitness instructors in Los Angeles but can’t find an existing group? Why not make your group? Here’s how: 

After you’ve created an account on our platform, head over to your profile or the homepage. 


On the right side panel, you will see a section listing all of the groups you are currently a part of, select “new” next to the “Groups” title to create a new group. 

![](https://www.datocms-assets.com/23925/1595423785-webpage-how-to-create-a-group1-2x.jpg)

Proceed to name your group, add a cover photo, add a description detailing the focus of the group, create a unique Casting Depot URL and set your group to private or public. 

![](https://www.datocms-assets.com/23925/1595423850-webpage-how-to-create-a-group2-2x.jpg)

**Pro Tip: Anyone will be allowed to join a public group. A private group requires a user to have an invitation in order to join.**

**Pro Tip: Be sure to look through the current public groups that already exist to ensure repeat groups aren’t created
**

That’s it! Groups can be a great resource for getting support, receiving feedback and connecting with others who share the same interests. 


How to Create A Group on castingdepot.com

Your palms are sweating, heart racing, mind all over the place, obsessively reading over each line, all while praying that you don’t mess up/get negative feedback/get dropped by your agent AND quit your run at show business forever? 

*Sound familiar? *

Here’s the deal: **everyone gets nervous.** It doesn’t matter if you’re an actor looking to score that big gig or an A-list director shooting a big budget film. Nervousness happens to all of us, and for someone looking to start out in a nerve-wracking business, it can be quite intimidating. Auditioning is already an awkward concept, but it is all about how you handle nerves that allows you to deliver a good first audition. 

Here are some basic techniques that we, at Casting Depot, recommend using during, and after that first audition. 

<ul class="indent-list">
	<li>
**Make an Audition Playlist**

Athletes do it. Public speakers do it. Regular gym-goers do it. And yes, even actors do it. Create a playlist of your favorite songs to listen to in order to get into the zone and help you feel at ease. Remember, the key here is to remain focused -- turn off your text and email notifications and don’t check social media. Allow the music to take over and quiet your mind. 

**Take Deep Breaths**

You’ve heard it before. It actually works. You need to find your own breathing technique; a popular one is a 4 second inhale, hold, and 4 second exhale. Another is breathing in through your nose and out through your mouth. Feel free to count your breaths, verbally tell yourself to “relax”, or even move your body with your breaths. If you’re doing this in the audition room and you’re afraid others might be weirded out, embrace it! Let them think you’re weird. If they do, good. Let them be intimidated by you. 

**Be Prepared**

This might seem obvious, but many walk into an audition feeling unprepared - or worse - they realize their unprepared once they start auditioning. Yes, it’s important to rehearse the scenes as many times as you can. But, it’s equally important to visualize your audition start to finish. Close your eyes and imagine walking in the door, fully prepared, slating your name for casting directors, then getting lost in the moment of the scene and completely forgetting that it’s an audition. Now imagine walking away feeling great about it, like you nailed it. This is a powerful tool if done correctly and effectively. 

**Walk in with Confidence** 

If you’re an actor, you must act like a confident person, right? Successful actors walk into many situations, especially auditions, with a string of confidence. Body language goes a long way. Hold your head high, don’t slouch, and make direct eye contact when speaking and spoken to. Speak directly and properly. In fact, just act like you already have the job. Even if you feel nervous, you will make casting directors comfortable, which will make your nerves slowly disappear. Body language is key when making an impression on others, but having a confident mentality will help you as you walk in. 

**Listen!**

A lot of actors/actresses forget this key ingredient: simply listen. In the audition room, it is your job to fully immerse yourself in the scene and listen to the lines as if it’s your first time hearing them. In your mind, you need to be thinking, “What did that character say to me? How do I feel about it?” and, “Why do I feel this way?” instead of generic human thoughts like “How do I look? Do they like me? Am I messing up my lines?” If you’re thinking that, you’ve broken character and are not focused on the scene at hand. Casting directors can spot focus a mile away. Make sure you are fully dedicated to your character in that exact moment, and let your talent take over and do the rest. 

</li>
</ul>
These are all useful tools to consider to help calm your nerves and hopefully lead you to nailing that audition. Remember, the acting business can be insanely competitive and crazy, but casting directors are constantly looking to find that next wave of talent. 

Preparation is huge, but it’s important to keep a soothed mind while you’re preparing. Additionally, it’s important to make a stellar first impression once you’re inside and meet the executives face-to-face. 

Calm yourself, prepare correctly and efficiently, show them your confidence, and kill your audition! It’s a learning process, so remember, don’t feel discouraged if you don’t get a call back to move forward on your first few go arounds. 

There are plenty of people that want the same role, and it’s always a tough decision to make. Follow these routines and perfect it. You’ll feel better about it each time, which will hopefully lead you to making a statement to casting directors that you’re the one for the role.



How to Get Over Audition Nerves

Having a great monologue is essential for anyone looking to become a professional actor. Most actors have their "go-to" monologues that not only show off their skills but are versatile for a variety of settings.

A lot rides on having the "perfect" monologue. No pressure! So - how do you pick the right monologue? While there's not one right answer, there are many great options for choosing the perfect monologue... but today we’ll be focusing on what *isn’t* perfect. 

Here are a couple monologues elements to consider *staying away from*.
<ul class="indent-list">
	<li>
**1. The “I Remember When” Story**
A monologue centered around a real life story about your life isn’t dynamic enough. It’s not about sharing a story about a time you did something or how something made you feel. Casting Directors are looking for how you can turn a small piece of life into a much brighter moment. 
		
Two important elements that you should have in a monologue is both connection and conflict, which is something usually lacking from “I remember when” stories. Don’t tell us the story of a really bad date you went on, act out the date instead. 

**2. Trying To Be Something You’re Not**
If you are a 21 year-old college student, your go-to monologue shouldn't showcase you the role of a 50 year old retired firefighter. *Makes sense, right?* Even if you’re trying to showcase a range, it’s better to stick to something familiar that can be done well rather than something that hasn't been perfected. 

Focus on showcasing your strongest persona and what you do best. Finding your own persona may be hard but be honest with yourself about which personas you can play best. 

**3. A Novel **
It’s a monologue, not a novel. Every great monologue should follow an arc, but this doesn’t mean it should take 15 minutes to recite. The longer the monologue, the less likely your audience is to listen.

Shorter monologues that are well done is more memorable than a mediocre one that lasts 3 minutes. It’s not about doing as much as you can with your time but doing the best you can do with the time you have. 
		</li>
</ul>

So - there you have it! Visit our blog for more monologue advice and examples. It'll help navigate your journey to finding the best lines for your auditions.


Monologues to Avoid as an Actor

Are you talent looking to book your next gig? If you answered "yes", then this article is for you. We broke down our application process below made with pointers and tips for our first time applicants.

<ul class="indent-list">
	<li>
**1. Login to CastingDepot.com.**
![](https://www.datocms-assets.com/23925/1594009508-screen-shot-2020-07-05-at-9-24-57-pm.png)

**2. Go to your home feed.**
![](https://www.datocms-assets.com/23925/1594059952-screen-shot-2020-07-06-at-11-25-27-am.png)

**Pro-Tip: Make sure your profile is completely filled out to increase your likelihood of being cast.**
		
		![](https://www.datocms-assets.com/23925/1594060746-screen-shot-2020-07-06-at-11-38-23-am.png)

**3. Find a casting that you both qualify for and want to apply to.**
![](https://www.datocms-assets.com/23925/1594060087-screen-shot-2020-07-06-at-11-27-54-am.png)
		
**Pro-Tip: Only apply to gigs you qualify for. Don't waste you, or the Casting Director's, time!**
		
</li>
</ul>

& boom! There you have it. Easy, right? We created Casting Depot with talent in mind and it was important to us to make the application process as easy as possible. This way you can focus on perfecting your craft while waiting to hear back from Casting Directors. 

Have feedback you'd like to share on this process? We'd love to hear from you! Head to www.castingdepot.com/contact 

How to Apply to Gigs on CastingDepot.com

![](https://www.datocms-assets.com/23925/1594323668-press-release.png)


Casting Depot - A New Booking Platform

A common question working actors ask is "when is it time to join SAG/AFTRA?". While there's not one right answer, we aggregated our research to help you jump to make that decision. 

<ul class="indent-list">
	<li>**1. SAG/AFTRA is a professional stamp.**
		
SAG/AFTRA calls themselves the most distinguished entertainment and media union in the world. They represent approximately 160,000 actors, dancers, DJs, program hosts, recording artists, singers, stunt performers, voiceover artists among other professionals. 

Joining the union allows members to benefit from union negotiated benefits and salary. 

		**2. There's a cost associated with it.**
		
Joining SAG/AFTRA comes with a joining fee of $3,000 every 3 years. Members must also pay an annual base fee of $201.96 and an additional 1.575 percent of covered earnings up to $500,000. Fees may be lower if you decide to work in a branch area other than Hollywood. 

By joining SAF/AFTRA you narrow the amount of work available to you but it promises better benefits and pay(including residuals). The quality of work you can do with SAG/AFTRA is also much higher than work you might be able to find outside the union. 

SAG/AFTRA is there for you as a performer. They constantly negotiate for better contracts, establish a pension, and in some cases there is a possibility of health insurance. 

			**3. There are random perks.**
		
They also offer some free development resources to members. This includes conversation screenings, Q&A with filmmakers, actors, casting directors, and acting workshops. In addition, members get access to online classes where they can learn to edit their own reel or photoshop headshots. 

If you’re into voice acting, you can take advantage of the Don LaFontaine Voiceover Lab. Here you can take free voiceover and technical classes, as well as have access to booth time and practice sessions. 

There are also benefits like deals and discounts on gym memberships, streaming subscriptions, and legal services to name a few, mixers and events, and screeners.

			**4. It can limit you.**
A downside to joining SAF/AFTRA is you won't be allowed to take opportunities in film and TV that are not under the union’s jurisdiction. Not joining a union can give you greater freedom in choosing the roles you really want. 
</li>
</ul>
The decision to join SAG/AFTRA or opting to join a union is up to you. It depends on how committed you are to working in the industry. 

Are you confident your talent will allow you to book enough work to make the investment of joining worthwhile? If you’re not looking for full-time work as an actor, the fee that comes with joining a union may not be worth it to you. However, if you’re looking for the best paying and highest quality work, joining SAG/AFTRA may be the best choice for you.


SAG/AFTRA vs. Non-Union, explained

If you're a creator looking for talent, you'll have to post a production at some point. But the question is - how do you maximize the data in your production to attract the best talent? 

So - we put together this how-to-guide filled with tips and tricks to help your production call stand out.

<ul class="indent-list">
	<li>
**1. Login to CastingDepot.com
**
![](https://www.datocms-assets.com/23925/1594009508-screen-shot-2020-07-05-at-9-24-57-pm.png)

		
		
**2. Click "New Production" on your navigation bar.
**
![](https://www.datocms-assets.com/23925/1595356341-how-to-post-a-production2.png)


Here on this page you'll have the opportunity to stand out with your production based on the amount of details you give within your call. 

		
		
**3. Add a flyer for your call.
**
![](https://www.datocms-assets.com/23925/1595356387-how-to-post-a-production3.png)


If you don't have a photo for your call, you can use one of CastingDepot.com's default images. 

**Pro Tip - Use a square flyer with a 1:1 ratio for the best looking results on our feed.**
		
		
**4. Fill out your production details.**

![](https://www.datocms-assets.com/23925/1595423268-how-to-post-a-production4-2x.png)



**5. Use "Production Description" to describe the overview and details of the production.
**
![](https://www.datocms-assets.com/23925/1595356522-how-to-post-a-production5.png)


**Pro Tip - If your call has specific details - such as being returning show or a certain genre - note this here. It'll help prevent applicants who are not qualified from applying.**

		
**6. Fill out the compensation details.
**
![](https://www.datocms-assets.com/23925/1595356567-how-to-post-a-production6-2x-1.png)


If you're not sure of the compensation, note that the details will be released at a later date during casting. 

		
**7. Pick a date for when production would start.
**
![](https://www.datocms-assets.com/23925/1595356603-how-to-post-a-production7-2x.png)



**8. Pick what union status your project is.
**
![](https://www.datocms-assets.com/23925/1595358546-1594009217-screen-shot-2020-07-05-at-9-01-25-pm.png)



**9. Choose your titles and skills. 
**
![](https://www.datocms-assets.com/23925/1595357058-how-to-post-a-production9-2x.png)


**Pro-Tip - If you're looking for an applicant with a specific occupation and/or skill, use this feature to share that information!**	
		
![](https://www.datocms-assets.com/23925/1595357426-how-to-post-a-production9-2x-1.png)
		

		
**10. Describe any special submission instructions.
**
Special instructions could include links to their external reels (that are not present on their CastingDepot.com profile), noting if they have done any TV/Film work in the past, or if you're on a deadline for submission.

		
**11. Add a role.
**
![](https://www.datocms-assets.com/23925/1595357155-how-to-post-a-production11-2x.png)

Name the role of whom you are looking to book. You can create multiple roles for your production. Use the description to differentiate those roles.

		
**12. Fill out the details of that role.
**

Once you've completed filling out the role(s), press "save roles and next step".


**13. Build your questionaire.
**
![](https://www.datocms-assets.com/23925/1595357315-how-to-post-a-production13-2x.png)


This is an optional feature built for creators who have specific specs on the projects they are casting.

**Pro-Tip - use this section to replace your Airtable or Google Forms questionaires! Ask qualifying questions that'll help you fill the role with the best talent. There is no limit to the questions you can ask.**

		
**14. 9.
**
![](https://www.datocms-assets.com/23925/1595358507-how-to-post-a-production14.png)


**Pro-Tip - If you keep the contact information within the platform, it'll be easier to keep track of your applicants.**

</li>
</ul>
And there you have it! By incorporating our pro-tips on your production call, you'll be set up for success to cast your gig. 

If you have more questions on the production posting process, contact us. 


How To Post A Production on CastingDepot.com

The end of the world appears inevitable. At least that’s what we’ve been told nearly a thousand times by the movies. With climate change looming, nuclear weapons being produced, and living through a pandemic, the end of the world seems more realistic every day. 

Every depiction of humanity’s ultimate downfall serves a different purpose, whether it’s scaring us about aliens’ attempt to wipe out the human population (Independence Day) or warning us to not test on animals (Planet of the Apes). These films depict a cautionary tale to its viewers, often scaring us into scenarios that seem viable in our everyday lives. 

Here, we’ve compiled a list of the best apocalypse movies that are so real that they scare the hell out of us, all while taking a shot to analyze what the point is. 

Don’t worry, these films all have high entertainment value, whether it’s fiery explosions, natural disasters, rampant zombie attacks, or aliens blowing up cities. 


**I am Mother (2019)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/N5BKctcZxrM" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the World Ends:* That would be a huge spoiler, so let’s say humans are nearly extinct and robots are in charge.

*What’s the point?* The relationship and tensions between human life and artificial intelligence, and what human life really means. Also, the importance in a child’s upbringing and psychological development. 


**Shaun of the Dead (2008)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/LIfcaZ4pC-4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the World Ends:* While Shaun (Simon Pegg) and his roommate (Nick Frost) are bumming around, the rest of London is hit with the zombie apocalypse. The typically unmotivated Shaun sees this as a chance to prove his value to his girlfriend and family. 

*What’s the point?* Aside from reviving the zombie movie genre with lively humor, our best guess is that with a solid pack of family and friends, the zombies can be defeated as long as you take shelter in your favorite bar. 


**World War Z (2013)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/Md6Dvxdr0AQ" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* A massive, highly contagious zombie plague forces the world to reinvent and changes global politics as we know it. 

*What’s the point?* Think of our current global pandemic. The world should be all in together to fight the common enemy, right? Same with the zombie apocalypse: The world (United Nations in this case) must come together. 

**Cloud Atlas (2012)
**
<iframe width="560" height="315" src="https://www.youtube.com/embed/ByehYal_cCs" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* We don’t know the specifics on how the apocalypse started, but we do know that it is the year 2321, and humans now speak a pidgin form of English. 

*What’s the point?* Adapted from David Mitchell’s epic novel, the same person is reincarnated six times over six different lives. It presents how the actions of one’s life carries over into the next life. It stars Tom Hanks as a kind hunter-gatherer and Hugh Grant as a cannibal, creating a fun and action-packed epic. 

**Planet of the Apes (1968)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/6luDsjJqgjA" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* You may have seen the reboot prequel trilogy (2011-2017) which identifies how the Planet of the Apes universe got to where it is in the original 1968 classic. Perhaps the best part of the original is the final twist (SPOILER AHEAD). For the entire movie, all we know is that astronauts landed on a strange planet ruled by apes. In the final scene, Taylor (Charles Huston) discovers the ruins of the Statue of Liberty, revealing that they have been on Planet Earth the entire time - and that humanity wiped itself out with nuclear warfare, giving the apes a go at world dominance.

*What’s the point?* At the time of the film’s release, it hit a point that seemed reasonable during the Cold War era: the nuclear apocalypse. This lesson is still relevant today. We could destroy our planet if we don’t get along and another intelligent species, such as apes, would gladly take our place. 

**I am Legend (2007)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/ewpYq9rgg3w" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* Scientists genetically engineer a measles virus hoping to find the cure for cancer. Instead, they get a highly deadly and contagious virus that wipes out most of Earth’s population. This creates a mutant type of nocturnal humans called “Nightseekers”.

*What’s the point?* While pursuing a cure to save humanity, we need to be incredibly cautious towards how we approach experimental treatments. Nature is unpredictable and messing with it can often lead to dire consequences. 

**Terminator Franchise (1984, 1991, 2003, 2009, 2015)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/QIcomuI1j7I" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* Humans develop an artificially intelligent defense system (Skynet) and it doesn’t go too well. It becomes so advanced and self-aware and decides to obliterate mankind -- by dropping nuclear bombs on Russia to provoke a counterattack. 

*What’s the point?* In short, to make us terrified of robots. Also, to show how much one individual and her son can create a formidable mother-son duo to impact the future of the world. 

**Snowpiercer (2013)
**
<iframe width="560" height="315" src="https://www.youtube.com/embed/nX5PwfEMBM0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* A chemical is released into the atmosphere to combat global warming. When it backfires, it freezes the planet and eventually leads to a world of humanity living on a train that annually circles the globe. 

*What’s the point?* This is a harsh allegory on the class system and the large gap between the poor and the wealthy, where bureaucrats and scientists ignore the problems of the poor and dying. 

**Interstellar (2014)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/2LqzF5WauAw" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* Microorganisms have slowly been killing off the world’s crops, starving the Earth’s population and making the planet soon to be uninhabitable. 

*What’s the point?* The end of the world leads to all the fun SciFi stuff: wormholes, time travel, and colonizing other planets. All the while, we get to learn the importance of love. 

**Invasion of the Body Snatchers (1956)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/x3cZJ3iURzk" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* An alien life form plants pods on Earth that absorb each person’s attributes while they sleep. As each pod reaches full development, it assimilates the physical characteristics, memories, and personalities and creates duplicates that are devoid of all human emotion. 

*What’s the point?* Don’t let an outside force come in and turn you into a conforming “pod person” (Stick it to The Man!) -- fight with all your might to stay true to yourself. 

**This is the End (2013) **

<iframe width="560" height="315" src="https://www.youtube.com/embed/kliQSsD_npo" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* Earthquakes, fires, explosions, devilish beasts from Hell; all the warnings we ignored in the Bible. Meanwhile, the good guys get beamed up to Heaven to live in harmony. 

*What’s the point?* This all goes down during a celebrity rager at James Franco’s house. So, for starters, we can say don’t go to one of Franco’s Hollywood parties. It also offers a humorous glimpse at how celebrities, comedians in this case, would handle such a scenario -- turning on each other, arguing over who can eat Franco’s Milky Way, and finishing all the drugs from the party. 

**Zombieland (2009)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/8m9EVP8X7N8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* Mad cow disease mutates into a human zombie virus and wipes out the majority of the population rather quickly. 

*What’s the point?* To show that by laying low, calculating strategy, and not being a hero can get you pretty far during the zombie apocalypse. But, when our main character Columbus (Jesse Eisenberg) decides to rise to the occasion, it has a little more appeal and satisfaction. 

**12 Monkeys (1995)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/15s4Y9ffW_o" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* A deadly virus that has wiped out most of mankind has forced humanity to live underground. The origins of the outbreak are unknown, but with the recent discovery of time travel, the survivors of the future have linked an animal rights group as the ones who may or may not be responsible for releasing it. 

*What’s the point?* Travelling back in time to stop a cataclysm can be much harder than you think, especially when your facts about the order of events are unsure. 

**28 Days Later (2003) **

<iframe width="560" height="315" src="https://www.youtube.com/embed/c7ynwAgQlDQ" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* Animals rights activists (starting to become a trend, no?) raid a lab to free a bunch of chimpanzees, unaware that they are infected by a virus called “rage” which then infects the activists and most of Great Britain. The infected become rampant zombies that soon terrorize everyone. 

*What’s the point?* To reveal that zombies aren’t the only creatures filled with evil plans and ideas, such as the military’s “solution”, which involves using women as sex slaves. Seems that when the zombies hit and chaos strikes, morality and ethics are put on hold. 

**The Matrix Trilogy (1999, 2003)**

<iframe width="560" height="315" src="https://www.youtube.com/embed/vKQi3bBA1y8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

*How the world ends:* The conflict between humans and machines becomes so extreme that humans first decide to block out the sun, cutting off solar power for the machines, then deploy nuclear missiles. In retaliation, the machines strike back with a flesh-eating plague and more bombs. To solve their lack of solar power, they enslave the surviving humans into a virtual reality, and use them as their new power source.

*What’s the point?* Let’s say to creep us out over the inevitable future; our reliance on technology, the dangers of virtual reality, and our perception of what’s real.


15 Best Apocalypse Movies That Should Frighten Us

In a surprise casting, Kristen Stewart was cast in the role of Princess Diana, as announced on [Deadline](https://deadline.com/2020/06/kristen-stewart-princess-diana-pablo-larrain-film-spencer-diana-rejects-fairy-tale-ending-1202961395/). 

The film “Spencer”, written by Steven Knight, centers on the late Princess’s split from Prince Charles. It'll follow the course of a Christmas weekend in which Diana realized her marriage couldn’t be saved whilst on a retreat to the House of Windsor's Sandringham estate in Norfolk, England. 

Diana and Charles married in 1981 and split in 1992, with their divorce finalizing in 1996. She tragically died in a car crash in Paris in 1997.

**Director Pablo Larraín** told Deadline, “We decided to get into a story about identity, and around how a woman decides somehow, not to be the queen.” He explains their choice in casting Kristen came down to her being “one of the great actors around today." 

He further adds, “To do this well, you need something very important in film, which is mystery. Kristen can be many things, and she can be very mysterious and very fragile and ultimately very strong as well, which is what we need."

Production of the film is expected to begin in early 2021. 



Kristen Stewart To Play Princess Diana in “Spencer”

After some competitive bids, Dakota Johnson has officially signed on to both star in and executive produce a new comedy series by Amazon Studios. Amazon reportedly beat several other large companies to land the rights to “***Rodeo Queens***”, a comedy series that will be shot mockumentary-style. 

A writer’s room is currently being assembled by Amazon, with a full order series expected. 

A real life rodeo queen typically acts as the “face” of a local rodeo for a period of one year - usually required to wear a cowboy hat, crown, and sash with her title on it. Being a rodeo queen requires certain skills such as western-style horse riding, rodeo knowledge, public speaking, and personality. 

This mockumentary series will follow an ensemble cast of rodeo queen hopefuls as they compete for the coveted crown. 

This casting marks a reunion between Johnson and Amazon Studios, as she starred in the disappointing remake *Suspria* back in 2018. Based on the 1977 Italian horror film of the same name, the film was polarized by critics. However, Rodeo Queens offers plenty of excitement, as we’ll get a first hand look at Dakota Johnson’s lasso skills, Texas twang, and other fun rodeo techniques. Expect a way more promising series with an original premise, featuring a lead actress who has proven to have great comedic timing. 

It also marks a return to television for Johnson, who previously starred in the short-lived Fox sitcom *Ben and Kate*. Since then she has established herself as a film actress, best known for her role as Anastasia Steele in the *Fifty Shades* film series (2015-2018). She's also appeared in big budget films such as Black Mass and Bad Times at the El Royale, and recently in the well-received comedy-drama The Peanut Butter Falcon. When Hollywood resumes production, Johnson will be working on Olivia Wilde’s next movie, *Don’t Worry, Darling*. 

Other TV comedy veterans are attached to the project as well. *I Am Not Okay With This* co-creator Christay Hall created the series and will serve as showrunner, while Sleater-Kinney musician and Portlandia star Carrie Brownstein is set to direct, although it is still unclear if it is just the pilot or the entire series. Brownstein and Johnson previously worked together on *The Nowhere Inn*, which premiered at the Sundance Film Festival in January 2020. 

Elisa Ellis and Ro Donnelly (who founded TeaTime Pictures with Johnson) will serve as executive producers alongside Johnson. Amazon Studios will produce along with Platform One Media in association with TeaTime Pictures.

There's still no word on the full cast list or when the series will premiere. 

The premise seems like it can do well in a mockumentary format, especially with the creative team attached to it. Anticipate the intriguing series to hopefully hit your Amazon Prime account this year. 


“Rodeo Queens” Amazon Comedy Series to Star Dakota Johnson 

The Bachelor has been America’s guilty pleasure for close to two decades. It’s not the first dating show to hit TV, as others like “The Dating Game” and “The Newlywed Game” have existed way before it. Yet none of them have had the modern impact that the Bachelor has. 

*However, things may be changing.* 

The UK’s “Love Island” has been airing since 2015 and recently found its way into Americas' households (produced by CBS premiereing in 2019). 

More recently, Netflix released their versions of modern dating including “Love is Blind” and “Too Hot To Handle” - which were overnight hits. “Love is Blind” amassed more than 30 million households views in its first two months. 

Both shows put their own twist on dating. “Love is Blind” featured singles who try to find a perfect match without ever seeing each other face-to-face, forcing couples to connect emotionally first. 

<iframe width="888" height="500" src="https://www.youtube.com/embed/s2eBAFt3L_0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

“Too Hot to Handle” placed hot singles in paradise for a chance at love and a $100,000 prize – given that participants must refrain from engaging in sexual activity. 

<iframe width="888" height="500" src="https://www.youtube.com/embed/2JgPJpgnut4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Inspired by dating apps like Tinder, these two shows have forced users to prioritize initial physical attraction over personality. 

This is where The Bachelor falls short. While the show may have been more relatable in a tinder-less world 15 years ago, dating simply doesn't look like this anymore. So... do we encourage The Bachelor to continue to produce more seasons because it's a mental escape OR do we encourage the producers to integrate a more realistic storyline? (Sorry, Bachelor fans!)

Brandon Riegg, Netflix’s VP of Non-fiction originals says “We’ve been able to carve out a realistic and reflective way of how society is.” 

A reality tv classic, The Bachelor has spawned 15 seasons including “The Bachelorette” and 6 seasons “Bachelor in Paradise.” Even those who don’t watch it, know about it. Rob Mills, a top ABC executive, says  Bachelor fans have always been loyal to the show and will continue to be. 

It seems The Bachelor will never go out of style. Perhaps what we'll see a pivot in their storyline given the new landscape of dating shows? TBD. Looking forward to next season.


Will The Bachelor Ever Be Replaced by Hits By Love Island or Too Hot to Handle?

The musical theatre world demands that you pick the perfect audition songs to show off your voice and your ability to play the part. Need some advice? Here are some audition songs perfect for female teenagers ages 12-18.

<b>“How Lovely to be a Woman” from Bye Bye Birdie (Soprano, Ballad)</b>
<iframe width="801" height="451" src="https://www.youtube.com/embed/GBViL6F81zs" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

<b>“Pulled” from The Addams Family (Soprano, Mezzo-Soprano Uptempo)</b>
<iframe width="637" height="478" src="https://www.youtube.com/embed/UaTGK7mpijY" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

<b>"Just Around The Riverbend" from Pocahontas (Soprano, Mezzo-Soprano)</b>
<iframe width="801" height="451" src="https://www.youtube.com/embed/uZrg3hhntQY" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

<b>“I Know Things Now” from Into the Woods (Mezzo-Soprano Uptempo)</b>
<iframe width="801" height="478" src="https://www.youtube.com/embed/84Egp-x-EVc" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

<b>“Part of Your World” from The Little Mermaid (Mezzo-Soprano Ballad)</b>
<iframe width="637" height="478" src="https://www.youtube.com/embed/V6cZus0SV1Y" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

<b>“Maybe” from Annie (Mezzo-Soprano Ballad)</b>
<iframe width="801" height="451" src="https://www.youtube.com/embed/UxIFUlWrE3E" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

<b>“The Lamest Place in the World” from 13 (Mezzo-Soprano Ballad)</b>
<iframe width="801" height="478" src="https://www.youtube.com/embed/sY0K3Gk86vs" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

<b>“By My Side” from Godspell (Alto Ballad)</b>
<iframe width="801" height="478" src="https://www.youtube.com/embed/K6SKChZU12U" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

<b>“There Are Worse Things I Can Do” from Grease (Alto Ballad)</b>
<iframe width="485" height="478" src="https://www.youtube.com/embed/YVUqRy8egbk" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Audition Songs for Female Teenagers

The Peabody Award winners and lineup was announced last wednesday with "the most compelling and empowering stories released in broadcasting and digital media during 2019". The Peabody institutional award “goes to programs that have made a significant impact on media programming and the cultural landscape."

Among the list includes incredible programming such as CNN's "Apollo 11", OWN’s “David Makes Man,” Lifetime's "Surviving R. Kelly", HBO’s “Succession” and “Watchmen,” and Netflix’s “Stranger Things” and “When They See Us.”

This years' career achievement award went to Cicely Tyson.

PBS cleaned up with 30 winners and 7 awards. HBO and Netflix had four each. CNN and NBC had two, while Amazon Prime Video, Apple TV Plus, Hulu, Lifetime, and OWN had one award each. 

Winners and executive producers the Duffer Brothers said “This is an incredible honor and the company we find ourselves in is inspiring, to say the least.”

Due to the COVID-19 pandemic, there will be not be an in-person Peabody Awards ceremony this year.

Here's the list of winners:

<ul class="indent-list">
	<li>*<b>ENTERTAINMENT</b>*
<b>“Chernobyl”</b>
HBO Miniseries and SKY in association with Sister, The Mighty Mint, and Word Games (HBO)

<b>“David Makes Man”</b>
Page Fright and Outlier Productions in association with Warner Horizon Scripted Television
(OWN: Oprah Winfrey Network)

<b>“Dickinson”</b>
Apple / wiip / Anonymous Content / Tuning Fork Productions / Sugar 23 Productions (Apple TV+)

<b>“Fleabag”</b>
All3Media International Limited and Amazon Studios (Prime Video)

<b>“Ramy”</b>
Hulu, A24 Television (Hulu)

<b>“Stranger Things”</b>
Monkey Massacre Productions & 21 Laps Entertainment (Netflix)

<b>“Succession”</b>
HBO Entertainment in association with Project Zeus, Hyperobject Industries, and Gary Sanchez Productions (HBO)

<b>“Unbelievable”</b>
Timberman-Beverly Productions, Sage Lane Productions, Escapist Fare, Katie Couric Media, and CBS Television Studios for Netflix (Netflix)

<b>“Watchmen”</b>
HBO in association with White Rabbit, Paramount, Warner Bros. Television and DC (HBO)

<b>“When They See Us”</b>
Participant Media, Tribeca Productions, Harpo Films, Array Filmworks for Netflix (Netflix)

*<b>DOCUMENTARIES</b>*
<b>“Apollo 11”</b>
CNN Films (CNN)

<b>“For Sama”</b>
FRONTLINE PBS, Channel 4 News, ITN Productions, Channel 4 (PBS)

<b>“Independent Lens: HALE COUNTY THIS MORNING, THIS EVENING”</b>
A production of Idiom Film, LLC and Louverture Films, in association with Field of Vision (PBS)

<b>“POV: Inventing Tomorrow”</b>
Fishbowl Films, Motto Pictures, 19340 Productions, Shark Island Institute, HHMI Tangled Bank Studios, IQ190 Productions, American Documentary | POV (PBS)

<b>“POV: Midnight Traveler”</b>
Old Chilly Pictures LLC, American Documentary | POV, Independent Television Service (PBS)

<b>“POV: The Distant Barking of Dogs”</b>
Final Cut for Real, Mouka Filmi, STORY, Bayerischer Rundfunk, ARTE, American Documentary | POV (PBS)

<b>“POV: The Silence of Others”</b>
Semilla Verde Productions, Lucernam Films, American Documentary | POV, Independent Television Service, Latino Public Broadcasting, El Deseo (PBS)

<b>“Surviving R. Kelly”</b>
Bunim/Murray Productions and Kreativ Inc. for Lifetime (Lifetime)

<b>“The Edge of Democracy”</b>
A Busca Vida Filmes Production in association with Violet Films for Netflix (Netflix)

<b>“True Justice: Bryan Stevenson’s Fight for Equality”</b>
HBO Documentary Films and Kunhardt Films (HBO)

*<b>PODCAST/RADIO</b>*
<b>“Dolly Parton’s America”</b>
Osm Audio and WNYC Studios (WNYC)

<b>“Have You Heard George’s Podcast?”</b>
BBC Sounds/George the Poet Ltd. (BBC Sounds)

<b>“In the Dark: The Path Home”</b>
American Public Media (APM Reports)

<b>“Threshold: The Refuge”</b>
(Auricle Productions)

*<b>NEWS</b>*
<b>“A Different Kind of Force: Policing Mental Illness”</b>
(NBC News)

<b>“American Betrayal”</b>
NBC News, Engel Unit (NBC/MSNBC)

<b>“Long Island Divided”</b>
(Newsday)

<b>“The Hidden Workforce: Undocumented in America”</b>
(CNN)

<b>“Unwarranted”</b>
(WBBM-TV)

*<b>CHILDREN’S & YOUTH</b>*
“Molly of Denali”
WGBH Educational Foundation, Atomic Cartoons (PBS Kids)
		</li>
</ul>

‘Stranger Things,’ ‘The Simpsons’ Among This Year’s Peabody Award Winners

You’re well-trained, you have the talent, and you’ve invested in professional recording equipment. That's just the first step! Now it’s time to land that audition. But how exactly does the casting world work for voiceover artists? Not surprisingly, the voiceover casting process is quite similar to on-camera casting. 

The audition process generally comes in two ways: demo submissions or in-person auditions. So, how does it work?

<b> Demo Submissions </b>
<ul class="indent-list">
	<li>
Much like an on-screen actor is expected to have headshots and a reel, a voiceover artist is expected the same. In fact, it’s nearly impossible for producers and casting directors to cast you without one. Your reel helps showcase exactly who you are and what you bring to the table. 

What makes a good demo reel? Think of the kind of work you want to attract and develop a script before you start recording. A good demo reel reflects that work. Your voiceover demo can be used to get jobs in narration, commercials, announcements, and even the educational and corporate fields. So… what voice do you want to convey?

Now that you’ve curated a great demo, how does the casting process work? Generally speaking, producers and casting directors will list their job posting calling for demo reels first. Depending on the budget, timeline, and demands from production, talent can be cast directly off their demos. In other cases, this is simply your initial submission. Your demo acts as your credibility. So, without your demo, there’s a chance you won’t even be considered. This is where all casting begins. 

From there, a casting director will - most likely - reach out with sides. In this situation, they’re asking for you to read the lines that they provide you. The majority of voiceover auditions are recorded on one’s own recording setup in the comfort of their own home. Therefore, make sure that you have a quiet space to record. The casting director will also ask you to clearly slate yourself at the beginning of your reel. Unless noted otherwise, slate yourself in the beginning (first and last name and what role you’re auditioning for) and read your lines twice. 

*On CastingDepot.com, adding voiceover demos to your profile will help you land your next gig.*
</li>
</ul>

<b> In-person </b>
<ul class="indent-list">
	<li>
Although in-person voiceover auditions seem like a thing of the past, there are still many talent agencies (although limited) that do this. 

While having a demo is the first step towards being noticed, many casting directors and talent agents act as the messenger between production studios and networks. In this case, it’s because those production studios and networks specialize in voiceover actors (such as animation studios or AD agencies) and will only hold live auditions after the initial self-taped auditions and demo reel submissions. 
</li>
</ul>

<b> After the Audition... </b>
<ul class="indent-list">
	<li>
So what’s next? Callbacks are generally not handled in the same way on-camera auditions are. In fact, they’re nearly nonexistent. This doesn’t mean it never happens, as callbacks do happen from time to time. Generally speaking, you either booked the gig or you didn’t. Also note that you will most likely not receive feedback from the studio.

How long do you wait to hear back? Similarly to on-camera auditions, you may hear back within a few hours or a few weeks if you booked the gig. For something like animation, it can actually be months before you’re hired. Again, it depends on the type of role you auditioned for. 
</li>
</ul>
Whatever process you pursue, just remember where to start. Find your genre, start recording, make a demo, and the most importantly, bring your A game.


Voiceover Casting: How the Process Works

You may have heard of ***Live PD***, a series that follows cops on the job in real time. However, A&E has decided to cancel the series in its' entirety after weeks of protests over police brutality following the deaths of George Floyd and Breonna Taylor.

The decision come from A&E just days after Austin American-Statesman reported an encounter of a deputy pinning and tasing Javier Ambler, a Black man who died in March 2019, was caught on camera by the Live PD crew.

"This is a critical time in our nation's history and we have made the decision to cease production on Live PD," A&E said in a statement to Variety on Wednesday. "Going forward, we will determine if there is a clear pathway to tell the stories of both the community and the police officers whose role it is to serve them."

The footage reportedly captures the altercation through the deputies' body cam. In the footage, the former postal worker screams for mercy, telling the officers he has congestive heart failure and can't breathe. 

However, Statesman and news station KVUE reported that not only did the episode never air, but the Live PD footage of Ambler's death was also destroyed.

Executive Producer Dan Abrams took to twitter: 

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">.<a href="https://twitter.com/statesman?ref_src=twsrc%5Etfw">@statesman</a> should really focus on the death of Javier Ambler and on the fact that DA <a href="https://twitter.com/ElectMargaret?ref_src=twsrc%5Etfw">@ElectMargaret</a> (note the twitter handle) is suddenly focused on this now even though she had the body cam footage for over a year? Their reporting on <a href="https://twitter.com/hashtag/LivePd?src=hash&amp;ref_src=twsrc%5Etfw">#LivePd</a> has been a journalistic disaster. <a href="https://t.co/qLcyeE8lnS">https://t.co/qLcyeE8lnS</a></p>&mdash; Dan Abrams (@danabrams) <a href="https://twitter.com/danabrams/status/1270550372315258880?ref_src=twsrc%5Etfw">June 10, 2020</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

After news of the cancelation broke, Abrams took again to Twitter:

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">Shocked &amp; beyond disappointed about this. To the loyal <a href="https://twitter.com/hashtag/LivePDNation?src=hash&amp;ref_src=twsrc%5Etfw">#LivePDNation</a> please know I, we, did everything we could to fight for you, and for our continuing effort at transparency in policing. I was convinced the show would go on. . More to come. . .<a href="https://t.co/WWh7fDrig2">https://t.co/WWh7fDrig2</a></p>&mdash; Dan Abrams (@danabrams) <a href="https://twitter.com/danabrams/status/1270887054570917899?ref_src=twsrc%5Etfw">June 11, 2020</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

Abrams took to Twitter, again, to answer questions about his thoughts on the show cancellation. 

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">I had been preparing to answer questions about the <a href="https://twitter.com/hashtag/LivePD?src=hash&amp;ref_src=twsrc%5Etfw">#LivePD</a> footage of the death of Javier Ambler when the show was canceled. But the issues are still critical so here are responses to various questions I&#39;ve been asked (and thoughts on the end of the show). <a href="https://t.co/gSb9b3OxaT">https://t.co/gSb9b3OxaT</a></p>&mdash; Dan Abrams (@danabrams) <a href="https://twitter.com/danabrams/status/1271070749856542720?ref_src=twsrc%5Etfw">June 11, 2020</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

The decision to cancel the long-running show came just one day after the Paramount Network announced the cancellation of the long-running reality show **Cops**. The show first aired in 1989.


A&E Cancels "Live PD" Amid Nationwide Protests

Since the death of George Floyd by Minneapolis police officers and the subsequent protests that have broken out all over the world, there has been a conversation about how police are portrayed on TV. 

<a href= https://www.vulture.com/2020/06/tv-cops-are-always-the-main-characters.html= "blank"> Cops Are Always the Main Characters </a> , a piece published by Vulture shares some of the sentiment shared by viewers, stating: *“TV has long had a police eye perspective that helps shape the way viewers see the world, prioritizing the victories and struggles of police over communities being policed.”* 

Stars who potray police on television are even begining to speak out. **Brooklyn Nine Nine **cast member Stephanie Beatriz donated to the Emergency Response Fund and encouraged actors who have portrayed police on screen to do so as well. 

**Law & Order: Special Victims Unit **is taking a different route. SVU has followed NYPD’s Olivia Benson and her team solving sex crimes in New York City since 1999. Showrunner Warren Leight announced that the show will tackle issues of police brutality in the upcoming season. *DUN DUN!*

The new season will look at how law enforcement and the criminal justice system is displayed on television. 

Leight told popular podcast **TV’s Top 5** that the death of Floyd “has to come up and it will.” The show often bases episodes off of real life cases so creating an episode based on what happened in Minneapolis wouldn’t be an anomaly. 

They hope to objectively tackle the issues from all sides. 

Leight recognizes that different classes and races have distinct experiences with police. SVU plans to make these experiences present in the show’s next season. 

He also hopes to highlight how there is a grey area, expressing that not every member of law enforcement is "bad" but that even the good ones can make mistakes. “I’ve been made uncomfortable by a number of shows that glorify the use of violence in interrogation or the use of threat,” Leight says, acknowledging how true crime shows can glorify crooked cops. 

The series will also cover the results of the COVID-19 outbreak given that so much time at home has led to an increase in domestic violence reports in New York. 


‘Law & Order: SVU’ to Address Portrayal of Cops on TV in New Season 

As normal life remains put on hold, people are watching more TV than ever. And for good reason: there’s no better way to escape from the craziness of today than with a great series. 

However, while platforms like HBO and Netflix are filled with amazing streaming options, many of the most popular shows are, well, pretty dark. Sure, you could dive into the twisted universe of Westworld or the crime underbelly of Better Call Saul. But sometimes it’s nice to spend time with a show that offers a more positive world to live in. 

Here are 8 shows that are guaranteed to leave you in a good mood. 

<b> Parks and Recreation (Netflix, Hulu)</b>
<iframe width="424" height="238" src="https://www.youtube.com/embed/DemeythwnzU" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Meet Leslie Knope (Amy Poehler), the over-enthusiastic Parks director of Pawnee, Indiana. This zany group of characters is a joy to watch-- particularly when the show hits its stride in season 2 with the additions of Ben Wyatt (Adam Scott) and Chris Traeger (Rob Lowe). Funny, light, and with a memorable and endearing cast, this is a world that’ll put a smile on your face. 

<b> The Good Place (Seasons 1-3 on Netflix, Hulu)</b> 
<iframe width="857" height="482" src="https://www.youtube.com/embed/RfBgT5djaQw" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

From Parks and Rec co-creator Michael Shur, The Good Place offers a similarly excellent cast that packs a surprising emotional punch. The premise might seem unusual: a woman (Kristen Bell) wakes up in the “good place” after death, only to find that they got her past wrong; she doesn't belong there. What follows are some twists and turns that we won’t spoil for you here. It’s a hilarious ride that keeps a light tone.

<b> 30 Rock (Hulu)</b> 
<iframe width="857" height="482" src="https://www.youtube.com/embed/hVbyetnjA44" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Tina Fey. Alec Baldwin. Tracy Morgan. The jokes and plotlines fly fast and furious in this comedy loosely based on Fey’s time as a writer for SNL. The writing is brilliant-- if there’s a comedy to watch with subtitles, it’s this one. It’s also ridiculously bingable, and with some great guest appearances. If you haven’t plunged into 30 Rock, you’re missing out. 

<b> Diners, Drive-ins, and Dives (Hulu)</b> 
<iframe width="857" height="482" src="https://www.youtube.com/embed/EHMsi8-cWDQ" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

If you like Guy Fieri, or food in general, this is your show. The Mayor of Flavortown’s  infectious energy makes for truly enjoyable viewing, as he explores hidden culinary gems around the county. This isn’t a show about fancy food; it’s about delicious greasy burgers, simmering bacon on the grill. Warning: do not watch on an empty stomach. 

<b> The Joy of Painting with Bob Ross (Youtube, Netflix, Amazon, Hulu)</b> 
<iframe width="643" height="482" src="https://www.youtube.com/embed/1s58rW0_LN4" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

If you haven’t watched Bob Ross, you’re missing one of the most truly wholesome shows out there. In this world, there are no mistakes, only “happy accidents.” In each episode, Ross walks you through a couple painting creations with his signature gentle style. There’s something very therapeutic about watching these works of art come to life. 

<b> Bob’s Burgers (FOX, Hulu, Youtube TV)</b> 
<iframe width="857" height="482" src="https://www.youtube.com/embed/7Wr-tWNQbUI" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Bob’s Burgers features a family that genuinely loves each other, and for the most part tries to look out for one another. In the world of adult animated shows-- and comedies in general-- that’s actually pretty rare. Funny, quirky, and frequently sweet, this series is definitely worth your time.

<b> The Great British Baking Show (Netflix)</b> 

This cooking competition series is a nice change of pace from the harsh, cut-throat style of elimination featured in most competitive reality shows. A dozen bakers complete a series of tasks each week with each episode broken into three challenges. The food looks delicious, the judges are mostly kind, and elimination is met with hugs and support from the other contestants. This is no-stress viewing. 

<b> Queer Eye (Netflix)</b> 
<iframe width="857" height="482" src="https://www.youtube.com/embed/GZMrivD2Aok" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Five fashion experts explore communities in and around Atlanta and advise people in need of lifestyle makeovers. The result is sweet, funny, and often extremely uplifting. You won’t be able to get enough of the friendships and quirks of this “Fab 5.” Just a heads up: some of these episodes can get surprisingly emotional (in a good way!). 


The On-Camera Talent Network

More great stories about what's next in media