**Shuffll & CastingDepot - To A new Chapter**

Dear valued users of CastingDepot,

We are excited to announce that CastingDepot has been acquired by Shuffll, a dynamic startup dedicated to revolutionizing the world of video production with AI technology. We believe that this acquisition marks a significant step towards the future of video production, where technology and creativity come together to create breathtaking content.

We understand that you may have questions about this acquisition, and we want to assure you that Shuffll is committed to maintaining the same high standards of quality and service that you have come to expect from CastingDepot. 

We are confident that this acquisition will bring exciting new opportunities for our users, as we explore innovative ways to create and share content using AI technology. We are committed to keeping you informed every step of the way, and we look forward to working with you to shape the future of video production.

Thank you for your continued support of CastingDepot, and we look forward to embarking on this exciting new chapter together.

CastingDepot Becomes a part Shuffll 

You may be having a hot girl summer, but that doesn't mean your Netflix game needs to take a backseat. So - what's there to watch? We've got you. As always - here's our list of favorite shows to watch this month, as told by the Casting Depot team.
<br>
</br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Gossip Girl 2.0 (HBOMax)</b>
<br>- Lacey, Co-Founder/CEO @ Casting Depot
<iframe width="640" height="360" src="https://www.youtube.com/embed/jsah5yCzh-U" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Black Widow (Disney+)</b>
<br/>- Brad, Chief Technology Officer @ Casting Depot 
<iframe width="640" height="360" src="https://www.youtube.com/embed/Fp9pNPdNwjI" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>The English Game (Netflix)</b>
<br>- Ty, Senior Software Engineer @ Casting Depot 
<iframe width="593" height="313" src="https://www.youtube.com/embed/hBOlhdSYhv8" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Loki (Disney+)</b>
<br>- Theo, QA Engineer @ Casting Depot
<iframe width="640" height="360" src="https://www.youtube.com/embed/nW948Va-l10" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Brazil (Disney+)</b>
<br>- Jake, Advisor @ Casting Depot</br>
<iframe width="640" height="360" src="https://www.youtube.com/embed/ZKPFC8DA9_8" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<br>
And that's our list for this month. If you have shows that you're binging that we should watch,  tweet us! Find us on Twitter 👉 @castingdepot

What We're Watching in July

Our hearts break as we learn that NBC cancels "Good Girls" after just four seasons.

With only five episodes left in season 4 of the incredible series, let's take you back to the original trailer:

<iframe width="853" height="480" src="https://www.youtube.com/embed/IukClbz_uM0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

The series was made up of a talented cast including Reno Wilson, Isaiah Stannard, Matthew Lillard and Lidya Jewett. 

In the final season, the storyline revolved around the Secret Service closing in on the main characters' antics and counterfeit ring. A marriage may become salvaged, a spa company may become a front, and criminal paths are defined. The remaining episodes will premiere Thursdays at 9 P.M. EST. 

"Good Girls" wasn't the only show to be axed from the '20-'21 season. Here a few others that recently got the boot by NBC:
* Manifest
* Debris
* Zoey’s Extraordinary Playlist 

On a positive note, here are some favorites that just got renewed for the '21-'22 season:
* The Blacklist
* Chicago Med
* Chicago Fire
* The Blacklist
* Chicago P.D.
* Chicago Fire
* Kenan
* Mr. Mayor
* New Amersterdam
* Transplant
* Young Rock
* And of course... Law & Order: SVU and Law & Order: Organized Crime

Oh... and Brooklyn Nine-Nine. However that's set to end after it's upcoming 8th season that'll be airing this summer.

Want more updates like this? Check out our blog [here](https://www.castingdepot.com/blog).

NBC Cancels "Good Girls"

A ton of great content was released last month. So... we decided to throw a list together of our favorite shows (again). Here's what we recommend watching in June:
<br>
</br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Law & Order: SVU (Peacock)</b>
<br>- Lacey, Co-Founder/CEO @ Casting Depot
<iframe width="853" height="480" src="https://www.youtube.com/embed/O53wYUc_fA4" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>NBA Playoffs - Season 2021</b>
<br/>- Brad, Chief Technology Officer @ Casting Depot 
<iframe width="1280" height="720" src="https://www.youtube.com/embed/HD9jMFPBI3s" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Hacks (HBOMax)</b>
<br/>- Jocelyn, Product Intern @ Casting Depot
<iframe width="1280" height="720" src="https://www.youtube.com/embed/wE51pzVpwBg" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/><br>
<br>
<b>The Vergecast</b>
<br>- Ty, Engineer @ Casting Depot 
<iframe width="1280" height="720" src="https://www.youtube.com/embed/dGaCezMK_hY" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Supernatural (Netflix)</b>
<br>- Theo, Junior Engineer @ Casting Depot
<iframe width="1257" height="943" src="https://www.youtube.com/embed/K8BPP4ASQWo" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>NBA Playoffs - Season 2021</b>
<br/>- Brad, Chief Technology Officer @ Casting Depot 
<iframe width="1280" height="720" src="https://www.youtube.com/embed/HD9jMFPBI3s" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
	
And that's our list for this month. If you have shows that you're binging that we should watch,  tweet us! Find us on Twitter [here](https://www.twitter.com/castingdepot). 

What We're Watching in June

Having a great monologue is essential for anyone looking to become a professional actor. Most actors have their "go-to" monologues that not only show off their skills but are versatile for a variety of settings.

A lot rides on having the "perfect" monologue. No pressure! So - how do you pick the right monologue? While there's not one right answer, there are many great options for choosing the perfect monologue... but today we’ll be focusing on what *isn’t* perfect. 

Here are a couple monologues elements to consider *staying away from*.
<ul class="indent-list">
	<li>
**1. The “I Remember When” Story**
A monologue centered around a real life story about your life isn’t dynamic enough. It’s not about sharing a story about a time you did something or how something made you feel. Casting Directors are looking for how you can turn a small piece of life into a much brighter moment. 
		
Two important elements that you should have in a monologue is both connection and conflict, which is something usually lacking from “I remember when” stories. Don’t tell us the story of a really bad date you went on, act out the date instead. 

**2. Trying To Be Something You’re Not**
If you are a 21 year-old college student, your go-to monologue shouldn't showcase you the role of a 50 year old retired firefighter. *Makes sense, right?* Even if you’re trying to showcase a range, it’s better to stick to something familiar that can be done well rather than something that hasn't been perfected. 

Focus on showcasing your strongest persona and what you do best. Finding your own persona may be hard but be honest with yourself about which personas you can play best. 

**3. A Novel **
It’s a monologue, not a novel. Every great monologue should follow an arc, but this doesn’t mean it should take 15 minutes to recite. The longer the monologue, the less likely your audience is to listen.

Shorter monologues that are well done is more memorable than a mediocre one that lasts 3 minutes. It’s not about doing as much as you can with your time but doing the best you can do with the time you have. 
		
</ul>

So - there you have it! Visit our blog for more monologue advice and examples. It'll help navigate your journey to finding the best lines for your auditions.


Monologues to Avoid as an Actor

April was jammed packed with good watches and releases on the streamers. So, as always, here's our monthly list of what we loved and therefore recommend throwing on your watch list for May. Let's dive in: 
<br>
</br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Defending Jaccob (Apple+)</b>
<br>- Lacey, Co-Founder/CEO @ Casting Depot
<iframe width="1115" height="627" src="https://www.youtube.com/embed/XQfeoRLvfqU" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Brooklyn Nine Nine (Peacock)</b>
<br>- Justin, Engineer @ Casting Depot 
<iframe width="1115" height="627" src="https://www.youtube.com/embed/sEOuJ4z5aTc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Supernatural (Netflix)</b>
<br>- Theo, Junior Engineer @ Casting Depot
<iframe width="1115" height="627" src="https://www.youtube.com/embed/khK3DTyDVfc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Tell Me Your Secrets (Amazon Prime)</b>
<br>- Sheena, Biz Dev Intern @ Casting Depot
<iframe width="1115" height="627" src="https://www.youtube.com/embed/R-Z3Ur6KdSM" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br/>
<br/>
<b>Better Call Saul (Netflix)</b>
<br/>- Brad, Chief Technology Officer @ Casting Depot 
<iframe width="1181" height="664" src="https://www.youtube.com/embed/YCcq2BkxiaE" title="YouTube video player" csp="child-src https://youtube.com/embed/YCcq2BkxiaE"  frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" ></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br>
<b>Big Night (Amazon Prime)</b>
<br>- Jake, Advisor @ Casting Depot
<iframe width="1280" height="720" src="https://www.youtube.com/embed/kiuT0l4T1tk" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
	
And that's our list for this month. If you have shows that you're binging that we should watch,  tweet us! Find us on Twitter [here](https://www.twitter.com/castingdepot). 

What We're Watching in May

Abir Hashem is a 21-year-old Canadian visual artist from a small city called Saskatoon, Saskatchewan Canada. He initially was brought into the music industry at the bold age of 18 in the middle of his senior year of high school… funny enough through an Instagram DM from Drake’s Tour Manager to go on a nationwide tour with G-Eazy’s opening act. After some deliberation, he instead got flown into Toronto, Canada to film two nights at a venue called ‘The Shrine’ for G-Eazy’s “Beautiful & Damned: North American Tour.”

From that crazy opportunity, he was able to turn that into working as a tastemaker for artists through different avenues such as videography, photography, editing, animating, and being a stage & graphic designer. These skill sets have allowed him to work with different artists of different backgrounds such as Anthony Russo, G-Eazy, Marshmello, inverness, Jack Harlow, jackson lee morgan, Carly Rose, Dounia, Leven Kali and etc. With his age & experience, he still has a lot to learn and curate his taste but I’m confident enough to say that it is just the beginning of his flourishing career.
<br>

<img src="https://castingdepot.imgix.net/blog/Q%26A+Series/abirhashem.png" align="left" width="400" height="80"/>

<b>Tell us about your credits. What have you worked on?</b>
<br>
I’ve worked on plenty of music videos, visualizers, cover arts and documentary series for artists such as Anthony Russo, Christian French, jackson lee morgan, inverness, Carly Rose and etc. I was also able to animate cover arts and social assets such as trailers for G-Eazy’s single/album release campaigns. In 2021 I was able to design an one-hours’ worth of stage visuals for a virtual live concert for Christian French under Moment House. 
<br>
<br>
<b>What are you working on right now? Anything cool?</b>
<br>
I’m just wrapping up some final touches for Anthony Russo’s new EP called ‘BLUE’. The project has eight songs that is attached with either a visualizer or a music video. This is all set to come out in Spring of 2021. But I actually have a cover art and music video coming out on February 18th, 2021 with jackson lee morgan called ‘wayside’! It will be one of the most vibrant things I’ve made so far in my career!
<br>
<br>
<b>What’s your favorite TV show of 2021?</b>
<br>
My favorite show of 2021 is ‘Community.’ If ‘The Office’ didn’t exist most people would be more swayed to watch it. The directing, the writing, the cast and how it’s able to balance comedic and emotional beats is done terrifically well. Also, Donald Glover is in it and I love everything he does creatively!  I can’t not recommend it enough! Go watch it!
<br>
<br>
<b>What’s one thing you do often that inspires you to continue to create?</b>
<br>
Inspiration comes to me in many different ways. I consumer other creatives’ work on a daily basis whether that’d be music videos, visualizers, recaps, movies and etc. which often links me to tie their visual components to an artist’s demo. More often than not, I plug my headphones in, go for a walk and let my mind run free with imagination. This could result in a simple idea for a shot or a complex storyline music video. Sometimes inspiration just hits you out of nowhere. But those two really help me get the creative juices flowing. 
<br>
<br>
<b>What advice do you have for others looking to break into the industry?</b>
<br>
My advice would be to keep being persistent no matter how hard it gets. So many people just want to see the short-term result and when they don’t receive it… they quit. This industry is made up of a lot of creatives who are hungry, want to succeed and end up rewarding whoever puts in the most effort. 
<br>
<br>
<b>What’s one insider tip to success you’d give for others in 2021?</b>
<br>
Try to diversify your portfolio and learn new tricks & different outlets of art. The more you open yourself up to learn and try new things, the more opportunities open up. Try not to be so comfortable. Comfortability is a career killer! 
Your website and link to online video, if any.
<br>
<br>
<b>[Website](https://hashbrowncreates.wixsite.com/abirhashem)</b>
<br>
<b>[Instagram](https://www.instagram.com/abir.mov/?hl=en)</b>

Abir Hashem Chats Music Videos, Sisualizers, and Creating Documentary Series 

Rio Rocket is a multi-hyphenate film, television, and voice actor who has a recurring role on the ABC TV Series, *For Life* and motivational spokesperson for Lowe's Companies. He's been featured in publications such as SUCCESS, AUTHORITY, BillionSuccess and Ariana Huffington’s Thrive Global Magazine. 

He sat down with us to share his story along with tips and tricks into breaking into the industry as an actor. 
<br>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png"/> 
<br>
<img src="https://castingdepot.imgix.net/blog/Q%26A+Series/riorocket.png" align="left" width="400" height="80"/>

<b>Tell us about your credits. What have you worked on?</b><br>
<style type="text/css">
</style>
<p class="tab">I was fortunate to work on the ABC TV Series, For Life last year and now we're in our second season. The series is inspired by the life of Isaac Wright Jr., who was wrongfully sentenced to life in prison. He studied to become a lawyer while serving and overturned his sentence. For the past three years, I have worked with Lowe's Companies as their motivational spokesperson which has been an absolute dream. I travel down to their headquarters in Mooresville and Charlotte, NC approximately three times per year for various productions. I've also been fortunate enough to work on other exciting projects such as Alter Boy: The Series, a full advertising campaign for Jack Black Skincare and VOG (Voice of God) for John Jay College's annual Commencement Ceremony at Arthur Ashe Stadium in front of ten thousand people for three consecutive years.</p>
<br>
<b>What are you working on right now? Anything cool?</b><br>
<p class="tab">I'm currently working on my new podcast Design Your Decade: Journey to the C-Suite. An interactive professional development podcast that puts comedy and career growth in a blender and serves you a simple yet superb smoothie that's guaranteed to not cause brain-freeze. I host the show with co-host Rosann Santos and it's accessible on every major podcasting app and platform. It's been a blast to educate and entertain with this new platform while delivering my knowledge through audio performance.</p>
<br>
<b>What advice do you have for others looking to break into the industry?</b><br>
<p class="tab">If you're looking to break into acting successfully begin by finding a mentor and a private coach. This is what I did initially. It's good to get a one-on-one assessment of what raw materials you have to work with. A mentor or coach will also be able to offer you guidance as to which career path may offer you the least resistance. Afterward take a class, study improvisation, workshop, rehearse, audition and repeat. Also get a professional headshot taken and build your online and social presence.</p>

<b>What’s one insider tip to success you’d give for others in 2021?</b><br>
<p class="tab">Take massive action in developing the skills you need in your profession. Right now we are at odds, not just with others in our field, but also with robotics and artificial intelligence. There are applications that can create entire music albums such as *I AM AI* by Taryn Southern. There are now technologies that can create artificially intelligent virtual actors as seen in *Gemini Man* with Will Smith. You're competing against that now. Your skills have to be so well-developed and honed to compete at a higher level these days. You have to be so unique that you are undeniable. You have to be so good in your auditions and performances that the casting director or audience wants to leave the room with you.</p>

<b>What’s your favorite TV show of 2020?</b><br>
<p class="tab">Right now it's a toss-up between *Umbrella Academy* and *The Queen's Gambit*. I go crazy for the superhero genre and *Umbrella Academy* is just pure, brilliant fun and imagination let loose onto film. *The Queen's Gambit* appeals to my sensibilities of talent and genius put to action. Anya Taylor-Joy's character is incredibly deep and compelling.</p>

<b>Give us your plug! How can we follow you?</b><br>
<p class="tab">
<a href="https://www.DesignYourDecade.io">Design Your Decade: Podcast</a><br>
<a href="https://RioRocket.com">Rio Rocket: Website</a><br>
<a href="https://vimeo.com/riorocket">Rio Rocket: Vimeo Channel</a></p>

ABC Actor Rio Rocket Chat Industry Tips and Success

Alvin Cowan has worked with the biggest names including Clint Eastwood, James Caan, Bradley Cooper and Bruce Willis. Since his breakout acting career post college, he landed a recurring role in ABC’s “Back In The Game.” which lead to apperances in HBO’s critically-acclaimed series, “Westworld,” and had a recurring role in Season 3 of Emmy-nominated “This Is Us”. Cool, right? If that wasn't enough, he also works as a producer in which he currently has a development project in the works with Zero Point Zero, Basil Iwanyk, Eric Tannenbaum, and Monami Entertainment. 

He sat down with us to share his story along with tips and tricks into making it in the industry. 
<br>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png"/> 
<br>
<img src="https://castingdepot.imgix.net/blog/Q%26A+Series/alancowan.png" align="right" width="400" height="80"/>

<b>Tell us about your credits. What have you worked on?</b><br>
<style type="text/css">
</style>
<p class="tab">I’m most proud of the specific acting jobs I’ve been involved in. I just had the opportunity to work on some REALLY cool shows/movies with some REALLY cool people. There’s a reason that This Is Us, Westworld, Eastwood – why all those people are successful. They treat people well – no matter how big or small a role they have.</p>
<br>
<b>What are you working on right now? Anything cool?</b><br>
<p class="tab">We just released a very cool true crime podcast through Imperative Entertainment entitled “American Coyote.” It’s the story of Elden Kidd, a Morman man from Riverside who started running people across the border in the early 1990’s. It’s a wild ride and I’m proud of how it turned out. I am developing another podcast series with Cavalry Media and will be pitching a feature to studios and a couple TV shows sometime in the coming months.</p>
<br>
<b>What advice do you have for others looking to break into the industry?</b><br>
<p class="tab">Man. Tough question. There’s so much. I wrote an article one time (reposted recently <a href="https://https://thriveglobal.com/stories/10-tips-to-survive-as-a-creative-professional-in-entertainment-and-not-go-crazy-in-the-process/?utm_source=Newsletter_Transaction&utm_medium=Thrive&utm_campaign=Published">here)</a> that was “10 Tips to Survive As A Creative Professional In Entertainment… And Not Go Crazy In the Process.”  I think that advice stands up, even though I wrote it a number of years ago. It’s probably the best answers I can give.</p>

<p class="tab">That said, if I’ve learned anything since I wrote that, it’s that you have to give yourself your own “yes.” I don’t know that that’s sage advice or wisdom that you can’t hear from any coach/guru out there, but it’s been immeasurably true for me. When I finally decided that I had something to say with my art – and that it was worth saying – and maybe, just maybe, someone else might like/need/want to hear it… that was a game changer for me.</p>

<p class="tab">Also, there’s no rules.</p>

<b>What’s one insider tip to success you’d give for others in 2021?</b><br>
<p class="tab">I personally think the industry is regionalizing. My opinion is that Netflix and the rest of the streamers are moving the business away from a traditional LA/NYC model and going to be sourcing MOST jobs (save the top 1-5 on the call sheet) from regional actors, crew, etc. To me, there’s opportunity there. I can’t tell you the number of actors I’ve watched land small rolls as local hires, only to recur, then become guest stars. Next thing you know, they book a pilot – and have a career. You don’t need to be in LA or NY anymore. Build from a region – either through bookings or making your own material – and have LA or NY come to you.</p>

<b>What’s your favorite TV show of 2020?</b><br>
<p class="tab">I binged three seasons of Yellowstone right at the start of the pandemic. I love Taylor Sheridan and don’t know why I had not watched it before. It’s certainly on brand for me. I also really enjoyed ZeroZeroZero on Amazon, the most recent season of Ozark… I was on the Tiger King train… Cheer… there’s so much good stuff!

<b>Give us your plug! How can we follow you?</b><br>
<p class="tab">
<a href="https://www.instagram.com/aecowan10">Instagram</a><br>
<a href="https://www.tiktok.com/aecowan10">TikTok</a></p>

Q&A with HBO & ABC Actor Alvin Cowan 

So you're looking to get started working in voiceover? If you have an outgoing voice and like to express yourself through narration, voiceovers, or character voices in films, commercials, corporate videos, educational and training materials, podcasts, audiobooks, video games and other projects that need a voice — then this business is definitely for you.

It's also an incredible time to start looking into a voiceover career. While the pandemic has put a ton of people out of business, the world is shifting towards remote learning, working, and building. Therefore, this is increasing the need for online video and content that calls for more voiceover artists than ever before.

As you can imagine, voice acting is a rewarding, exciting career. At Casting Depot, we have tons of voiceover talent coming through our site daily booking gigs and growing their careers. Here are a few things to help you get started:

<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>

<h3 class="text-left"><b>1. Get setup with audio gear 🎙</b></h3>
If you're confident that you want to pursue a career in voiceover work, or even as a side hustle, it's smart to invest in audio gear. However, dependent on the type of voiceover actor you want to be, you may require more gear. It depends. If you want mic suggestions, join a Casting Depot community and ask fellow users. They'll point you in the right direction for what they recommend. 

A few things to consider when purchasing a microphone:
* Buy what you can afford.
* Purchase something that you can return, just incase. It's helpful if you can test out the mic in the space that you plan to be recording.
* Don't purchase something handheld. 

Here are a few great mics we'd suggest:
* [Blue Mic: The Yeti Nano](https://www.bluemic.com/en-us/products/yeti-nano/)
* [Kaotica Eyeball](https://www.kaoticaeyeball.com/?gclid=CjwKCAiAgJWABhArEiwAmNVTBxtg9ZKYWse1aR-OK07BXx2o7edqW2ugsRO61EYdXa6eUH1C4GnZSRoC3X8QAvD_BwE)
* [Audio-Technica AT2020 Cardioid Condenser Microphone](https://www.adorama.com/atat2020k1.html?utm_source=google&utm_medium=organic&utm_campaign=organicshopping&utm_source=adl-gbase)

While you may be inclined to use your Airpods, we'd suggest against that! You want to make sure that your producing the best audio possible, and that you're comfotable while recording. So, here are a few headphones we'd suggest:
* [Sennheiser HD 280 Pro Closed-Back Studio and Live Monitoring Headphones](https://www.sweetwater.com/store/detail/HD280Pro--sennheiser-hd-280-pro-closed-back-studio-and-live-monitoring-headphones?mrkgadid=3301332377&mrkgcl=28&mrkgen=gpla&mrkgbflag=0&mrkgcat=studio&recording&&acctid=21700000001645388&dskeywordid=92700046938536344&lid=92700046938536344&ds_s_kwgid=58700005285190875&ds_s_inventory_feed_id=97700000007215323&dsproductgroupid=385451424629&product_id=HD280Pro&prodctry=US&prodlang=en&channel=online&storeid=&device=c&network=g&matchtype=&locationid=9030954&creative=280136034160&targetid=aud-994727058445:pla-385451424629&campaignid=1465808290&gclid=CjwKCAiAgJWABhArEiwAmNVTB2GoYfBcNbW3hllvajEF-a5xVFfu5bL39r5Ce5KDFTV7CTAHuk1D2hoCpjwQAvD_BwE&gclsrc=aw.ds)
* [Beyerdynamic DT 770 Pro 250 Ohm](https://www.newegg.com/beyerdynamic-dt-770-pro-grey/p/0TF-00D2-00002?item=0TF-00D2-00002&nm_mc=knc-googleadwords&cm_mmc=knc-googleadwords-_-headphones%20and%20accessories-_-beyerdynamic-_-0TF00D200002&source=region#)
* [AKG K 182 Over-Ear Headphones](https://www.akg.com/Headphones/Professional%20Headphones/3103H00030.html?ged=off)

<h3 class="text-left"><b>2. Find a quiet place in your home to be a studio 🏡</b></h3>
There are many variables that go into creating a voiceover home studio. However, you don't need a fancy-built studio to submit auditions. You can do this on a budget, at home. The space can be a closet, garage, spare room, basement, or attic – as long as it's soundproof and quiet. 

<img src="https://castingdepot.imgix.net/blog/advice+articles/voiceover.png" align="left" width="400" height="80"/>

To <b>soundproof</b> your home studio, here are a few things to consider:
* Noise can be a big problem in the home studio. As with any production area, you’ll want to make sure your space is well soundproofed or insulated from noise coming in or out. The main culprits of unwanted noise are air conditioning units, fans and people – especially kids and pets.
* A few blankets hung up can help absorb reverb and unwanted noise coming from breathing and other close-miking techniques.

<h3 class="text-left"><b>3. Find an audio editing software that works for you 🗣</b></h3>
Most sites will suggest using the fancy editing softwares like ProTools. While you can use products like those, it's possible that you want something extremely easy to use while you're still testing out the waters. Here are a few programs we love:

* [TwistedWave](https://twistedwave.com/online)
* [Adobe Audition](https://www.adobe.com/products/audition.html)

<h3 class="text-left"><b>4. Record practice demos 🚀</b></h3>
Now that you've got the space and the audio equipment, it's time to record demo examples for your voiceover profile. If you have a range of types of projects you'd want to audition for, it's important to get that type of content up on your Casting Depot profile as a starting point. For example, if you can speak in different languages, accents, or tones, make sure that you have a demo for each! Here are some tips on making great demos:

* Make a demo for each voice/accent/character you plan to audition for.
* Keep your slate quick (full name and anything else that's important to you).
* Make sure the volume isn't obnoxiously loud or quiet.
* Pick the right script for you. 

<h3 class="text-left"><b>5. Start marketing yourself 💡</b></h3>
Use your Casting Depot profile to build your online presence as a voiceover actor. We built talent profiles to be completely customizable, allowing every user to have their own unique experience in our community. If you're a voiceover actor, you'll most likely want to focus on building out and utilizing the following sections in your profile:

* Age, location
* Personal description
* Audio uploads
* Job history (use this section as your online resume)

Some tips and tricks for building a rockstar voiceover profile that helps you stand out from the rest of the community:

* <b>Avoid celebrity comparisons.</b> 
It's easy to make comparisons between yourself and your favorite celebrity. However, when casting directors are searching talent, they love to see more of what you bring to the talent (and comparing yourself to a celebrity might typecast you into a hole). Describe your sound, instead. Using words such as "warm, authentic, young, firm" and so on will give the casting director better insight into what your voice sounds like.</p>

* <b>Ask Casting Directors for the projects you've worked on.</b> 
Don't be shy to ask for the final work! If they're allowed to, the Casting Directors are usually more than happy to send you the final cut so that you can add it to your virtual portfolio.

* <b>Find an engineer to work with.</b> 
Search post-production audio engineers to help you edit and promote your audio submissions. Think of them as a business partner! It could take a lot of busy work off of your plate if you're booking a significant amount of voiceover work and don't have time to make edits to submissions. If you want to go down this route, ask the Casting Depot community for engineer recommendations.

<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>

& there you have it! A few quick tips and tricks to getting started as a voiceover artist. If you're ready to start using your voice to build a career, [sign up for Casting Depot here.](https://www.castingdepot.com)

Voiceover Actors: How to Get Started

Everyone loves a good biopic movie. Need a list of solid recommendations instead of endlessly flipping through Netflix or Hulu? Well... you're in luck. We compiled a list of our favorite biopic movies to watch this month meant to help inspire you for the 2021 year.

<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<center><b> The Social Network (Netflix) </b></center>
For anyone who loves Jesse Eisenberg as a braniac, The Social Network is the perfect movie. The story follows the beginning stages of Facebook and the lawsuits that came along with it.
<iframe width="873" height="491" src="https://www.youtube.com/embed/lB95KLmpLR4" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<center><b> Safety (Disney+) </b></center>
We'd describe this as the 2020 version of The Blind Side and Remember the Titans. This one is a tear-jerker. 
<iframe width="873" height="491" src="https://www.youtube.com/embed/m0j8O2swT5o" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<center><b> Jobs (Amazon Prime) </b></center>
The story about Apple's Steve Jobs and his relationship with being a CEO, father and innovator in the early 90's and 2000's.
<iframe width="873" height="491" src="https://www.youtube.com/embed/FrvkCS0ZGPU" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<center><b> The Founder (Netflix) </b></center>
Have you ever wondered how McDonald's invented the famous Golden Arch? The Founder follows an ambitious franchisee that takes a failed, small business and leads it to become a real estate company. Yes, you read that right.
<iframe width="873" height="491" src="https://www.youtube.com/embed/AX2uz2XYkbo" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<center><b> A Beautiful Day in the Neighborhood (Hulu) </b></center>
Creepy, sweet, and heartwarming. The movie follows investigative journalist Lloyd Vogel who receives an assignment to profile Fred Rogers, aka Mr. Rogers.
<iframe width="873" height="491" src="https://www.youtube.com/embed/-VLEPhfEN2M" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" a lign="center"/>
<br>
<center><b> Bohemian Rhapsody (Hulu) </b></center>
A movie about Freddie Mercury, the lead singer of Queen, as he become a generational icon defying stereotypes along the way.
<iframe width="783" height="440" src="https://www.youtube.com/embed/mP0VHJYFOAU" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" a lign="center"/>
<br>
<center><b> American Sniper (iTunes Store/Amazon Prime) </b></center>
Bradley Cooper plays U.S. Navy SEAL Chris Kyle who becomes one of the most lethal snipers in American history.
<iframe width="903" height="508" src="https://www.youtube.com/embed/99k3u9ay1gs" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<center><b> Rocketman (Hulu) </b></center>
Elton John in the 70's as he begins his journey to becoming one of the most iconic figures in pop history.
<iframe width="853" height="480" src="https://www.youtube.com/embed/S3vO8E2e6G0" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" a lign="center"/>
<br>
<center><b> The Wizard of Lies (HBOMax) </b></center>
For every MBA student looking to learn about ponzi schemes. Robert De Niro and Michelle Pfeiffer. So. Good.
<iframe width="853" height="480" src="https://www.youtube.com/embed/jo_CYCumZgI" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" a lign="center"/>
<br>
<center><b> Straight Out of Compton (Hulu) </b></center>
In 1988, the groundbreaking N.W.A revolutionizes music and hip-hop culture. The movie follows their first studio album, "Straight Outta Compton".
<iframe width="903" height="508" src="https://www.youtube.com/embed/oyoew4T74_w" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" a lign="center"/>
<br>
If we missed any that you'd recommend, tweet us! Find us on Twitter [here](https://www.twitter.com/castingdepot).

The Best Biopic Movies To Watch This Month

You have a great idea and you’re ready to pursue it. Now what? 

Many aspiring creatives are in a financially tight position and have questions about what steps to take to make their project come to life. If you don’t have millions of dollars laying around to fund your project, where does that leave you? In limbo, yes, until you can find someone else who believes in your project as much as you do. 

Here are a few tips we have for our fellow creators who could use some guidance in building the next big box-office hit:

<ul class="indent-list">
	<li><b>Friends and family round.</b>
There may not be an individual friend who has the cash to fund an entire film project on their own, but cash collectively from a handful of friends could be enough to fund everything. Once you have your pitch perfected and a sample deck to show, begin to ask around for financing. You’d be surprised by the amount of people who will feed off of your passion and invest. 

<b>Crowdfund.</b>
A lot of indie producers use crowdfunding platforms to create their projects. The trick to becoming successful on sites like these is being as descriptive as possible with your project. You’ll need to show that it’s much more than a ‘big idea’. Before pursuing this process, be constructive of your work. Ask yourself questions like - What makes it different? What does someone receive from investing in the film? 

<b>Partner with a production company.</b>
If it’s your first project, it’s OK to not take on the entire production by yourself. Take it as a learning opportunity and hand it off to a production company that can make it come to life. Because, at the end of the day, the goal should be to bring your work to the big screen. This way when you go to make your second film project, you’ll know the ropes AND have the funds. It’s a win-win. Production companies are always looking for creative individuals to partner with. While there is not a definitive list of who those production companies are, all it takes is a simple online search. Shop around, see what companies match your vision, and pitch until someone says ‘yes’.

<b>Hire friends and give them equity.</b>
You may have friends that are looking for experience and credits to add to their resume. It could be advantageous to use your project as a growth opportunity for your friends who are also aspiring creatives. Be open minded to collaborating with others who want the chance to flex their skills for the first time. You could still create an incredible project, but for a fraction of the cost. 
</li>
</ul>

Rejection can be hard. We know. However raising funds for a project is a great learning experience. It’ll help you learn how to pitch effectively, where to pitch and how to deal with someone saying, ‘no’. 


How to Find Funding for Film Projects

SAG-AFTRA, or The Screen Actors Guild - American Federation of Television and Radio Artists, is a union that supports film and television actors, radio personalities, voice actors, journalists, recording artists, singers, and other media professionals. 

Once you become eligible to join, you may apply to be part of the union. In order to join, an initiation fee of $3,000 is charged. Along with that, you are charged semi annual dues. Once you become a member, the union is meant to serve you, the actor. Their responsibility is to assist with your retirement fund, negotiate an appropriate salary, and ensure that you have health benefits. 

<b> So, when is the right time to join SAG-AFTRA? </b>
<ul class="indent-list">
	<li>
When you become part of the union, you can no longer work for non-union authorized productions. As a result, you will be competing in a job market against other highly skilled actors. 

Before you decide to join, it is important to reassess your acting abilities and your marketability.  Make sure that your acting skills are high enough to get casted over other talented actors. If needed, hone in on your craft some more before applying. In addition to this, make sure there is an opening for you in the acting world. What do you offer to it? Do you have a specific brand, and is there room for you in the union job market where you live? Once you decide that you are a perfect fit, make sure that you have the appropriate marketing tools for yourself. 
<ul class="indent-list">
	<li>
Everyone has a different opinion about joining SAG-AFTRA:
<ul class="indent-list">
	<li>
“My opinion on when to join SAG-AFTRA is unpopular, but I stand by it, as I've coached many actors over the years. If your dream is to be a working SAG actor on network and studio projects, and you have a few non-union projects on your resume, then you should join the union as soon as you have the opportunity.” - <i> The Hollywood Success Coach </i>

“If an actor doesn’t have an agent and is looking for work on their own, than the chances are they will only be able to get themselves auditions for non union work. If an actor/actress has a SAG agent and is being sent out on auditions for SAG productions then they should join SAG. It’s a very exciting opportunity and stepping stone when an actor/actress is eligible to join SAG.” - <i> Goldberg, Scudieri & Lindenberg, P.C. </i>
<ul class="indent-list">
	<li>
It is ultimately your decision on when and if to join SAG-AFTRA, but considering this article will help you make your choice. 
		
Looking to connect with SAG-AFTRA gigs? Head to www.castingdepot.com/login to get started.


When Should I Join SAG-AFTRA?

Welcome to the monthly list of TV & movie recs, suggested by the Casting Depot team 👋🏻 As you'll see in the list below, we have a range in taste as to what genres and storylines we love. So, I'm sure you'll find something here that peaks your interest. 

Here's what we're streaming in January:
<br>
</br>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>Lacey's List, Co-Founder @ Casting Depot
<br>
</br>
<b>1. The Morning Show (Apple+)</b>
<br>Jennifer Aniston + Reese Witherspoon + Steve Carrell. The ultimate cast to tell the story of a corrupt media empire and the power of the #MeToo movement. 
<iframe width="669" height="376" src="https://www.youtube.com/embed/ZPYUpfIoM9w" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<b>2. On the Basis of Sex (Netflix)</b>
<br>I was (two years) late to the party on watching this, but regardless I'm glad I found it. This RBG biography was both feel-good and empowering.
<iframe width="669" height="376" src="https://www.youtube.com/embed/28dHbIR_NB4" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<b>3. The Lie (Amazon Prime)</b>
<br>I'm a huge Blumhouse fan. It's not a suprise to me that they could take such a simple storyline and make it both entertaining and creepy at the same time.
<iframe width="669" height="376" src="https://www.youtube.com/embed/i84yWy-Mnts" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<b>4. Butterfly Kisses (Amazon Prime)</b>
<br>Probably the best "found-footage" "documentary" since The Blair Witch 2. 
<iframe width="640" height="360" src="https://www.youtube.com/embed/wBK1zH6XvRc" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<h3 class="text-center"><b>& here's what the Casting Depot team is watching:</b></h3>
<br>
<br> <b>Soul (Disney+)</b>
<br>- Jocelyn, Product Intern @ Casting Depot
<iframe width="850" height="357" src="https://www.youtube.com/embed/xOsLIiBStEs" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br> <b>The Crown (Netflix) - Pick #1</b>
<br>- David, MBA Biz Dev @ Casting Depot
<iframe width="660" height="371" src="https://www.youtube.com/embed/JWtnJjn6ng0" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<b>Who's Afraid of Virginia Woolf (Youtube Movies) - Pick #2</b>
<iframe width="660" height="371" src="https://www.youtube.com/embed/AGI4RwY-frc" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br> <b>Dead to Me (Netflix)</b>
<br>- Theo, Junior Engineer @ Casting Depot
<iframe width="660" height="371" src="https://www.youtube.com/embed/BwYBw1raC2o" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br> <b>The Queens Gambit (Netflix)</b>
<br> - Ty, Engineer @ Casting Depot
<iframe width="896" height="504" src="https://www.youtube.com/embed/CDrieqwSdgI" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br> <b>The Ballad of Buster (Netflix)</b>
<br>- Josh, Head of Design @ Casting Depot 
<iframe width="660" height="371" src="https://www.youtube.com/embed/_2PyxzSH1HM" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br> <b>The Mandalorian - Season 2 (Disney+) - Pick #1</b>
<br>- Jake, Advisor @ Casting Depot
<iframe width="884" height="497" src="https://www.youtube.com/embed/eW7Twd85m2g" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<br>
<br> <b>Kobra Kai - Season 3 (Netflix) - Pick #2</b>
<iframe width="940" height="529" src="https://www.youtube.com/embed/LcDQqGJG8pA" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br> <b>Preacher (AMC+)</b>
<br>- Justin, Engineer @ Casting Depot
<iframe width="884" height="497" src="https://www.youtube.com/embed/kCt0DiTDX8g" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
<br> <b>Crazy Delicious (Netflix)</b>
<br>- Brad, Chief Technology Officer @ Casting Depot 
<iframe width="774" height="435" src="https://www.youtube.com/embed/oAFgrAe5Gbo" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
<img src="https://www.datocms-assets.com/23925/1605630461-divider.png" align="center"/>
<br>
And that's our list for this month. If you have shows that you're binging that we should watch,  tweet us! Find us on <a href="https://www.twitter.com/castingdepot">Twitter.</a>

What We're Watching in January

Comedian Jeremy Nunes has appeared in "The Break-Up", "Last Comic Standing" a 2 PBS mini-series, Comcast on Demand, a National Geographic Special, and heard on ESPN Radio. He's been around the block! Jeremy's clean and witty comedy show has been in demand for 18 years, mainly because of his clever observations, unique storytelling style, and ability to improvise with his audience. Nunes sat down with us to discuss his career and lessons learned in comedy.

<img src="https://castingdepot.imgix.net/blog/Q%26A+Series/jeremy+nunes.png" align="left" width="400" height="80"/>
<b>What’s your full name and occupation?</b>
<br>Jeremy Nunes, Comedian.</br>

<b>Tell us about you and your career.</b>
<br>I started comedy in 2002, and shortly after graduated from The Second City in Chicago. I went full time in 2007, making more money and performing at more shows every year, until Covid. I thought the worst thing about being in comedy was hearing nothing but coughs. Now, hearing a cough shuts down a show all together!</br>

<b>Tell us about your credits.</b>
<br>My credits include Visa, Mastercard, and stand-up specials on Dry Bar Comedy and Amazon Prime.</br>

<b>Did you have to make difficult choices and what are the lessons learned?</b>
<br>After many people started having frustrations with lockdowns, I made a difficult choice to partner with venues to do secret shows, almost like an old time speakeasy. So, I was able to make a little money by breaking the law. The lesson is sometimes it pays to break the law, as it has ever since I started stealing my neighbor's cable.</br>

<b>What advice do you have for people looking to break into the industry?</b>
<br>As the old saying goes, “In order to gain anything, you must first lose everything.” A full commitment requires seven days a week of sacrifice of your time, your finances, your thoughts. That commitment will cause friends and colleagues to drift away and your bank account to shrink. But believe me, once you sniff success, they all come out of the woodwork!</br>

<b>What are your favorite shows/film?</b>
<br>National Lampoon's Christmas Vacation, Crashing, The Office.</br>

<b>How can we find you online?</b>
<br>[Website ](https://www.jeremynunes.com)

[Facebook channel](https://facebook.com/watch/?v=2581546605390076&external_log_id=97a313ee-621a-431b-b1b3-69b58be83fd1&q=Dry%20Bar%20Comedy%20jeremy%20nunes)


Comedian Jeremy Nunes Sits Down With Casting Depot

Rebecca Paone is a voiceover actress who has done work for companies like HSN and Hempvana. Cool, right? She tooks a moment to sit down with us to answer our burning questions. 

<img src="https://castingdepot.imgix.net/blog/Q%26A+Series/rebecca_paone_pic.png" align="right" width="400" height="80"/><b>What’s your full name and occupation?</b>
	
Rebecca Paone, full time actor & model, serial entrepreneur.

<b>Tell us about you and your career.</b>

I have been a voiceover artist for 4+ years, but left a corporate gig in May 2019 to pursue Acting and Modeling full time along with starting a healthcare tech start up. I’ve done television, film, theater, industrial, commercials, modeling, spokesperson, and testimonial work.

<b>Tell us about your credits.</b>

I’ve been the “voice” for over a dozen BayCare Health System commercials in the Tampa Bay region, testimonial actor with several products – Hempvana’s Cramp Calm, Tony Little’s BodyExpress, live model on HSN for before and after product application, Murder Mystery Dinner Theater with American Immersion Theater, Glamour Magazine “Dating with Psoriasis” video as primary panelist, and most recently regional election paid advertising. When COVID struck I was seasonally working for a traveling children’s theater in Tampa Bay. Most other work has been background work in Philadelphia and Atlanta on television and film sets. (See acting resume attached)

<b>Did you have to make difficult choices and what are the lessons learned?</b>

I had to make the decision to travel to a new market, Atlanta, and spend money for extended stay to pick up work. I also traveled to Philadelphia as well for several weeks. 

Tampa/Orlando and South Florida are slow on entertainment recovery. I got booked on 2 sets in Atlanta in the same week, one for a day; the other asked me to be available for 9 days on a reoccurring featured background and ended up using me for 2 days. I ended up not even being able to break even and took a loss on the trip since I couldn’t get booked on other sets due to availability commitment. My lesson learned is sometimes there will be losses due to opportunities; make sure the opportunities are worth the risk. 

I don’t have unemployment assistance anymore because I ended up taking a 1 day acting gig that paid on a W-2 and the state of Florida is reviewing my eligibility for continued benefits. I haven’t received income from UI since July 25th. And since that gig in late July, I’ve made less than $500 on other acting work or odd jobs. I’m spending down my savings waiting on a potential UI check. In the end, I could end up with nothing. The state has yet to respond to my inquiries on my review. If I spend down my savings to a certain level trying to keep my acting career and startup company afloat, I’ll have to find full-time corporate employment again. That path will ruin my chances of being hired for most acting opportunities. I have other actor friends that had to make this decision during COVID. We see the arts and entertainment industry failing to make opportunities for union and non-union actors.

<b>What advice do you have for people looking to break into the industry?</b>

You may think you have natural talent, but go to acting classes. You’ll learn techniques, breaking down scripts, building your character, and understand the protocol and terms used on set. Yes, even if you are doing background work, learn how to properly act. I’ve seen directors remove over-acting background from set because they were just not professional or taking direction. Background is not a lead character and should not distract attention away from the lead.

You should do as much paid and unpaid featured, supporting, or lead role work as you can to build your resume before submitting to an agent. A demo reel with high quality footage is necessary to make you look as good as you can. Most non-paid productions will compensate you with a reel of your work. 

Once you get some experience, you can look for an agent. A good agent will submit you for work, give you feedback on creating a demo reel, other acting classes to take to fill in weak areas of your craft. They will tell you that working your skills off screen makes the on screen performance. You are like a professional athlete the real work is done off-screen. So really work your talent with coach, scene partners, and may be creating your own content.

Facebook groups are out there for every city, region, and state for acting and modeling. Productions are posted for audition opportunities and will disclose how to apply. Follow directions. I cannot stress that enough. Casting can be slammed with auditions and incomplete or those who don’t follow instructions can be discarded.

If you do acting work, especially background work, expect to wait, A LOT. Bring your own “quiet entertainment” while on-set. Sometimes cell phones cannot be readily accessible, charged or used. A book or a deck of cards is your best friend.

<b>What are your favorite shows/film?</b>

Personally, I love documentaries. But my favorite films are strong, intellectual dramatic characters, social justice and people who made history; but then I love comedies and musicals in the same breath. Television preference are competition shows like the Great British Bake Off and Nailed It, or similar genres to film characters. Queen’s Gambit was my latest binge, and I’m looking forward to seeing the next season of The Crown on Netflix.

<b>What’s is been like working during COVID19?</b>

Non-union sets are not always COVID compliant right now. SAG-AFRA sets are more regulated but not all do the same level of protection despite their agreements with the union. Really consider your risks before auditioning. There was a large promoted open casting call for a non-union film and production studio here in Tampa that was not going to enforce masks on set or for people waiting in-line during the audition process. I found it highly irresponsible and not professional example about the industry, especially for new people coming into the industry. You need to be your own safety advocate so set yourself up for success while on set if you are not in the comforts of a sound stage, or location that has running water and indoor facilities. Each SAG set was different on testing protocols, or enforcement of social distancing between takes. On a television show in Atlanta, all crew, talent, and staff needed to be nasal swab tested twice with 2 negative results before being on set. You were paid for testing time and they covered the testing costs. Every 3 days, you had to be tested. There were safety coordinators who met everyone on set to survey and perform temperature checks daily. You were provided PPE and a transport bag for your own personal items when PPE had to be removed when cameras were up. The other SAG set in Atlanta for a made for TV movie was requesting a negative test no more than 1 week prior to on set that we had to secure on our own if we did have one from another set. They did a temperature check, test result look over, asked questions, and had hand sanitizer scattered in areas. No additional PPE was provided. I was on set for hours at a time without a “squirt” while touching props that were not entirely clean. In between takes they were strict about background masking up, but lead talent was exempt.

Non-union has been just as varied. The majority of non-union work I’ve done where I’ve been lead, has been self-taping at home. Glamour magazine’s shoot with Condé Nast was a whole production team working remotely except for a camera production person sent to my home to set up a “production rig” on a cart – lights, camera, recording, you name it. That cart I brought into my home and made a set in a living room. They shipped me background, seating, and wardrobe. I was on video chat with the entire team across the globe on camera focus, mark, frame, and getting directed through video on a teleprompter display in camera.
Getting auditions or being booked has been more difficult. I’ve submitted for a lot of work, but the level of submissions has gone up so it’s higher competition. I was making a livable wage before COVID, but now, I’m lucky if I book every month for non-union. Those gigs don’t pay much even more when you have an agent to split it with. Many casting directors are mandating “local hires” only due to potential quarantine issues or actors, like myself, coming in from high infection states. I had auditioned for a popular cable channel game show during COVID but the main challenge and question from casting was being able to come up to the New York/New Jersey area and quarantine for 2 weeks prior to reporting to set. Since my parents live in the Philadelphia area, I could quarantine there and the distance was acceptable. I also submitted for work while in Philadelphia for the first 3 weeks of September while visiting family and looking for work, but wasn’t chosen despite notes that I was “local” and able to work locally in the NY/NJ/PA areas. I was hoping to get onto the Happy Madison film that was shooting, but wasn’t selected as an extra or support role. That production mandated living in a 3 - 6 week bubble during production to ensure healthy individuals for continuity.

My dinner theater company created virtual shows, but I had to re-audition for being an actor on those productions. The compensation base was less, and I personally didn’t know people working often enough in my troop who were cast. When the production office started booking live shows again, they asked if I would work without a mask, only a face shield, I declined because I want to wear a mask always. Then they permitted masks with windows, like ones designed for lip-readers, but I wasn’t going to go buy more masks that were more expensive. Eventually the approved regular masks as long as the mask fits with the costume for our character. Costumes and masks are not provided by the production company (some pieces will normally be, but full costumes are usually not available), other PPE like the face shield and sanitizing wipes and materials are. If hired, I would have to buy costumes and corresponding appropriate masks of which my costume wardrobe is limited especially for some of the roles that can be done for a 1 to 2 person show. A live show base pay is $75, and usually there isn’t a tip. If you get tipped that is a bonus but not mandatory for clients. Travel up to a certain distance isn’t compensated, long distance shows will pay a certain rate for mileage and if far enough they’ll pay for hotel, no meals. Sometimes it doesn’t pay to do shows in my opinion because of expense incurred. Most actors in my troupe do these shows to make a few extra bucks and for the love of acting. May be I’m too business minded, but acting is a business and if you treat yourself as a talent and business manager, you’ll understand why your value and safety has to be preserved.
	
<b>How can we follow your journey?</b>

<br> [Facebook](https://www.facebook.com/voiceoverqueen) </br> 
<br> [Instagram](https://www.instagram.com/beckypa1voice) </br> 
<br> [Portfolio](https://www.voices.com/actors/beckypa1) <br>
<br> [Demo Reel](https://www.youtube.com/watch?v=AOTO9RECwSs) </br>
<br> [Demo Reel](https://www.youtube.com/watch?v=pdYV6ZdHNfY) </br>
<br> [Last project](https://www.youtube.com/watch?v=Q7ChfgCyiXY)</br>



Voiceover Actress Rebecca Paone Talks About Her Experiences in Entertainment

Stand-up comedian Shaun Eli has rightfully been called one of *America’s smartest comics*. His jokes have been quoted everywhere from the New York Post to Readers Digest to Healthcare Finance News. Cool, right? We were lucky enough to sit down with Shaun to ask burning questions about the journey to a successful career and ask for some industry advice.

<img src="https://castingdepot.imgix.net/blog/Q%26A+Series/shaun+eli+breidbart.png" align="left" width="400" height="80"/><b>What’s your full name and occupation?</b>

Shaun Eli Breidbart, though I go by Shaun Eli on stage. I’m a stand-up comedian and I founded a company that is now the largest independent producer of stand-up comedy shows for theatres. Or at least it was before covid shut everything down.

<b>Tell us about you and your career.</b>
	
After college I started working in finance. When Jay Leno first took over The Tonight Show I’d read the newspaper, think of something funny, and then see him saying the same thing that night on his show. I called and pitched myself as a freelance writer and was accepted to send him jokes. I did that for almost the entire run of The Tonight Show with Jay Leno.
In 2003 I was on a date with a woman who said I should try stand-up. I’d had friends who were actors and I was never interested in performing, not since an annoying experience being in the fifth grade play. She suggested I start by taking a class that she’d taken, and invited me to see a performance by graduates of the class. They were funnier than I’d expected so I took the class, started performing, started getting paid, and six years later I left my day job. I say that leaving Wall Street for stand-up comedy is the best trade I’ve ever made.


<b>Tell us about your credits. </b>

Just before the pandemic we shot our first TV special “The Ivy League of Comedy” at the Emelin Theatre in NY. I worked with five other comedians. I’ve headlined comedy shows on five continents (so far). For almost two decades I sold jokes to Jay Leno for his Tonight Show monologue, and also to two other late-night talk show hosts. And I was a semi-regular on the nationally-syndicated Joey Reynolds Radio Show (which was syndicated to over 100 markets in the U.S.).

<b>Did you have to make difficult choices and what are the lessons learned?</b>

Convincing my “You should be a doctor, or if not that, a lawyer or scientist or college professor, or maybe it’s okay to work in business” parents that I was leaving all that for something in the arts wasn’t easy. Before telling them, I put together a business plan showing them how much I was making and estimating how much more I could make without the limitations of a day job.

As far as lessons learned- they say that if you invent a better mousetrap people will beat a path to your door. That’s totally wrong. If you check the Patent Office database you’ll see a zillion great mousetrap designs but most people still buy the basic snap traps that have been around for a hundred years. It’s really hard to get people to try anything new, whether it’s a mousetrap, a food or having a comedy show at their organization or theatre.
Even if you plan to work in the arts, take a few business courses. Unless you’re both supremely talented AND super lucky, you’ll need selling skills to succeed.


<b>What advice do you have for people looking to break into the industry?</b>

For stand-up I’d give you the exact same advice every comedian would give you- write some jokes and get on stage anywhere you can- open-mic nights, comedy club new talent nights, your social club’s dinner, etc. And prepare to fail, over and over again, because no matter how funny you think you are, it won’t be an easy journey. Learn from your mistakes- what jokes worked, which ones didn’t. Try to eliminate anything extraneous from your jokes. You’d be shocked at how much useless information new comics include in what they’re saying. Unless a detail is necessary for getting to the laugh, cross it out.

One thing I would add would be to start with a comedy class. There are comedians who say you can’t teach comedy, and they’re wrong. You can teach anything. We can’t make someone funny who isn’t, but we can steer them in the right direction, give pointers in writing and performing and teach the basic structure of a joke. You’ll also be learning in a supportive environment. I would say that a class will teach you to avoid about half the mistakes you’d otherwise make in your first six months. And you’ll make friends- people who can help you out and that you can work with. Most of a new comedian’s breaks come from other comedians.


<b>What are your favorite shows/film?</b>

I like watching stand-up comedy and used to enjoy the late-night talk show monologues but since covid they haven’t been that interesting- especially the hosts who had no stand-up comedy background aren’t doing well performing without an audience.
But as a comedian it’s hard to watch stand-up because I usually see where they’re going before they get to the joke. So I’m a tough audience member. Sometimes, though, I’ll be laughing at the premise because it’s clever and I know what the punchline will be.


<b>What’s is been like working during COVID19?</b>

Work? What’s that? I’ve barely had any shows and I don’t plan to perform indoors until it’s safe. Other comedians are working in clubs. I’ve said I don’t want to become the funniest comedian in America because everyone else died.

I’ve done some outdoor shows and some internet shows. The outdoor shows went way better than expected. I say that the secret to comedy is 100 people in a room that holds 70. It’s not just the comics who need to hear the laughter. The audience also needs to hear other people laughing to be comfortable laughing out loud. So we need a room where the laughter echoes. You don’t get that outside- the laughter dissipates. So I was pleasantly surprised that my outdoor and drive-in shows went so well. I guess people really need comedy right now.

I’ve also performed out on the street for my neighbors. They’d been asking me to and initially I resisted but then I realized I had all these new jokes and had no opportunities to try them out and fine-tune them. That also went really well.

<b>What's the plug?</b>

www.BrainChampagne.com is my website and has a few videos, both stand-up and other stuff I’ve done. My website also has a ton of comedy content, over 50,000 words worth of jokes. To give you an idea just how much that is, a typical novel is around 100,000 words.


Comedy Veteran Shaun Eli Breidbart Talks Standup During COVID

Joy is the founder of Third Person Omniscient Productions, a production company whose mission it is to produce powerful, meaningful, thought-provoking movies, plays, and television shows that enlighten audiences about the human condition, shed light on the meaning of life, and raise the collective consciousness. Casting Depot sat down with Joy to hear her journey to becoming the filmmaker she is today.

<img src="https://castingdepot.imgix.net/blog/Q%26A+Series/cheriel_brown_transparent.png" align="left" width="400" height="80"/>**What’s your full name and occupation?**

My name is Joy Cheriel Brown. I’m a filmmaker, which is an all-encompassing title I like to use because I’m a screenwriter, producer, and film director. I’m also an author and a playwright, and because I started my own production company, Third Person Omniscient Productions, I also consider myself to be an entrepreneur.</p>


**Tell us about you and your career.**

Well, it all started when I was 10-years-old. I had just seen Home Alone in the movie theatres, and this was an amazing experience. I saw it in February 1991, and it had been out since at least November 1990, and the theatre was still packed on the day I saw it with my family. Macaulay Culkin looked like he was having so much fun that I decided I wanted to be an actress, so I asked my parents if I could get an agent, and they told me no. So, I decided to write my own script, direct that, and sell it to 20th Century Fox, which was the distributor for Home Alone—don’t ask me how I knew that this is how that worked, I think I read it in a book or something.

Anyway, my friends who I had casted for the movie, lost interest, and the only adult I had casted was my cousin’s husband. At the time, directing and producing the movie was a little over my head, especially since I was figuring it out as I went along so I decided to just write screenplays instead, and that was my focus from 1991-2004—I took maybe like a year or two off here and there to learn Spanish and because of a mental health issue I experienced. In 2004, I directed my first short (which I wrote and also produced) as a thesis project as an undergrad at Howard University, and I formally started my production company eight years later in 2012. 

**Tell us about your credits.**

As I mentioned before, I wrote, directed, and produced a short film in college for the first time. It was called Figment (which can currently be found on my YouTube channel); in 2010, I was a high school English teacher, and I adapted one of my student’s essays into a short film called One Chance (also available on my YouTube channel), which premiered in 2011 in Bowie, Maryland; and in 2012, I made the short film, N.O.S., which is based on my first hospitalization for Schizoaffective Disorder in 1999 when I was 18. That film, N.O.S., premiered at the Reel Recovery Symposium and Film Festival in Los Angeles and New York City in 2018, and it was sold to ShortsTV this year and premiered on their channel back in June of this year (2020). Those are my film credits, but I have also produced a play that I wrote called Stuck, which premiered at the Washington, DC Capital Fringe Festival in 2019, and it received a four star review in DC Theatre Scene. Later that year, I went on to win Playwright of the Year from ACHI Magazine. Also in 2019, I wrote and published the book, “The Secret of Life Through Screenwriting: How to Use the Law of Attraction to Structure Your Screenplay, Create Characters, and Find Meaning in Your Script.”

**Did you have to make difficult choices and what are the lessons learned?**

As a producer, director, and entrepreneur, I always have to make difficult choices on a daily basis—from the little stuff like, where do I focus my time right now? I only have 24 hours in the day, to who do I hire for this role or responsibility, to even letting some professional relationships go because of a difference in the way the work is approached. Over the years, I have learned to trust my own intuition, and I also have learned to acquire as much knowledge as I can about everything that involves my profession, and then hire people who specialize in that thing when I can’t do it myself—for example, I’m definitely not great at lighting, shooting, or sound (ha ha). Gaining the periphery knowledge helps me know better who to hire. Trusting my intuition, acquiring knowledge, and trusting other people to know how to do their job has never steered me wrong. 

**What advice do you have for people looking to break into the industry?**

I personally have always felt like I would write and produce my own films and TV shows, and then later my own stage plays as well. It was while watching the credits roll for ER one Thursday night that I decided that I wanted to create my own TV series as well as movies. Despite all that, I still tried the traditional route as well. I would query agents and producers. When I was a kid, I wrote to everyone to help get my movies made—Oprah, Jennifer Aniston, Sean “Puffy Combs,” Will Smith. The only responses I got were a headshot from Christina Ricci and Jennifer Aniston. Then as I got older, I would query production companies—in and outside of Los Angeles. At some point, I realized that I was sending the universe conflicting messages. I wanted to do my own thing, but yet, I was still pitching to others. I was even still pitching AFTER I started my production company. I went to my last pitch fest in 2013 and decided that the producers there couldn’t see my vision so I stayed the course and decided to do it myself. I currently have three projects that I’ve written in development at my production company—a feature film, TV series, and a stage play. I say all this to say that you don’t have to wait for someone else to give you permission or to say yes to you. Some people prefer to let someone else produce their script or give them a role— and there’s nothing wrong with that— but you can also do it yourself and make your own opportunities. It might take more work, but if you’re not getting any traction the traditional route, you might want to consider creating your own roles by writing your own script—I write for Script Magazine and I often offer advice to people who want to write screenplays. I’m a huge advocate for doing it yourself. Write your own script and star in that. I’ve always wanted to be an actress, and I still have to cross that bridge, but I’ve created some amazing roles for myself that I will play in the future. For people who really don’t want to do it themselves, and there are a lot of people in that category, become an expert at your craft—don’t worry about becoming famous or making a ton of money. When you expertly know your craft, I believe those other things will come—they have to, they are a byproduct of being excellent at your craft. So, study your craft, become consumed by it.


**What are your favorite shows/film?**

Right now my favorite TV show is This Is Us. It is literally the only show I watch every week. Everything else, I binge it when it I have two or three days to just watch TV and get through a season of whatever show I need to catch up on (I recently finished the last season of How to Get Away with Murder). This Is Us is one of the most well-written shows I’ve ever seen—right up there with ER. My favorite movie has been (500) Days of Summer since 2009. This is how much I loved that movie: Several years ago, I was working with a script consultant and I mentioned that movie to him and how amazing it is. He told me that he had taught one of the screenwriters of the film and that he could get a message to him about how much I loved the movie. I went on to write an essay (really, it was an actual essay, not just a long e-mail) about why it was such a great film and how it would change romantic comedies for the better, and the screenwriter responded. It was such an awesome feeling to be able to tell him how much I loved his movie and to thank him for going through whatever it took to get it made. I haven’t had a whole lot of time to watch TV and movies lately, but the only movie I have watched twice all year is Honey Boy (2019) by Shia LaBeouf. That movie is incredibly well written (I have posted some of my thoughts about Honey Boy, This Is Us, and How to Get Away with Murder on my Instagram page). Honey Boy is an example of an actor making his own opportunities. My first question for Shia when I meet him will be: Did you just learn how to write a perfect script through osmosis (just being around the business since you were a kid) or did you actually take classes and study the craft—the movie really is that outstanding.

**What’s is been like working during COVID19?**

COVID-19 has been interesting. Right at the start of the pandemic, my sales agent reached out to me and told me that he had a deal on the table for N.O.S., but it was kind of up-in-the-air because everyone was trying to navigate the pandemic. Thankfully, the deal went through and N.O.S. aired on ShortsTV a few months later in June. The other thing was that I was hoping to start speaking at conferences and other events, and I was hoping to produce the feature I’m working on and the TV series, but because of the pandemic, there was a question of “How will we get back to productions and being on set” or “How will we be able to be in front of audiences with hundreds or thousands of people? That really took some navigating. I’ve pushed the feature and TV series back at least until 2022, but I’m intending to produce my next stage play in 2021, but because of the pandemic, we are planning to shoot the play on stage in a theatre, and then we will edit it and distribute it digitally.

**Here's her plug:**

<br>**[Website](http://bit.ly/2v1XbYl)**</br>
<br>**[The link to N.O.S. on Amazon](https://amzn.to/2LSfzc3)**</br>
<br>**[The link to “The Secret of Life Through Screenwriting](https://amzn.to/2E6Wr5r)**</br>
<br>**[The link to YouTube Channel](http://bit.ly/2BqGYf4)**</br>
<br>**[To Join E-mail List](https://bit.ly/3lrJtUf)**</br>
<br>**[Instagram](http://bit.ly/2PDiX9n)**</br>


Filmmaker Joy Cheriel Brown Sits Down with Casting Depot

The best part about October are the Halloween movies, *without a doubt*. These halloween classics are the ones we grew up with that we rewatch every year. I'm not one for scary movies, but to get into the *spooky october mood* I like to cuddle up with a bowl of candy. Here's our definitive list of movies we love during this time of year:

<b> Hocus Pocus (1993) </b>
<iframe width="862" height="485" src="https://www.youtube.com/embed/F4e6YQFrt1s" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
There's a reason this beloved film tops our list: this whimsical Disney classic makes chatty black cats and goofy witches the epitome of Halloween fun.

<b> Halloween (1978) </b>
<iframe width="862" height="485" src="https://www.youtube.com/embed/T5ke9IPTIJQ" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Given that this iconic film features the love-to-hate slasher villain Michael Myers shares a name with the year's spookiest holiday, it's just about as classic as they come.

<b> Halloweentown (1998) </b>
<iframe width="862" height="485" src="https://www.youtube.com/embed/F4GV_xnN2rU" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
If your kids wish that Halloween could be every night of the year, you’re in luck: in the magical land of Halloweentown, that’s basically how it goes.

<b> The Nightmare Before Christmas (1993)</b>
<iframe width="862" height="489" src="https://www.youtube.com/embed/wr6N_hZyBCk" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
It's up for debate whether this classic falls into the Halloween or Christmas category. Either way, Tim Burton's imaginary world is sheer delight.

<b> The Addams Family (1991)</b>
<iframe width="862" height="485" src="https://www.youtube.com/embed/G388UMkJIBE" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
You might know the frightening faces of this wacky family — and probably the rhythm to their catchy theme song — but when's the last time you sang along? This kid-friendly classic is an easy choice for a spooky — but not nightmare-inducing — Halloween movie night.

<b> Carrie (1976) </b>
<iframe width="862" height="485" src="https://www.youtube.com/embed/YuO26oJQLVs" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
In this high school-turned-horror story, a young misfit (aptly named Carrie) shows her school bullies the terrible power that she possesses. Let's just say, the bullying doesn't continue much longer.

<b> Coraline (2009) </b>
<iframe width="862" height="466" src="https://www.youtube.com/embed/m9bOpeuvNwY" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Follow young explorer Coraline through a door into an alternate dimension, she meets characters who seem much like those in her real life ... but maybe a little off. Even though it's made for children, Coraline's creepy button eyes will make even adults a lil' unsettled.

<b> Ghostbusters (1984) </b>
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Before your group dresses up in their best ghost-busting ensembles, take some inspiration from the comedy ensemble that started it all.

<b> Practical Magic (1998) </b>
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Nicole Kidman and Sandra Bullock as sibling witches?? Sign us up. This delightful cult-classic rom-com is a perfect pick for anyone who wants a slightly more low-key Halloween.

<b> The Craft (1996) </b>
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Four high schoolers discover witchcraft—what could possibly go wrong? The campy thriller explores the spiraling effects of the supernatural while in high school.


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